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Selected press reviews...


Articles and Reviews and Images. (Selected)

Neue ZeitschriftFur Musik. 5 September 2004. p 30 - 31
Liberation. Farnce 12 September 2004.page 46 and 47
Creative Review. February 2003. p 56- 59
KLIK. November 2002. Page 62 - 63
Create Online. Issue 024. April 2002. p 46 - 49.
CocleNews 2002. p 8.
CiberPais. April 2001. page 62
BlackBook. Summer 2001. p 132 - 133.
New Media Creative. June 2001. p 15
Art Monthly. Dec - Jan 2000.

Books. (selected)

Photographic & Digital Media, first edition. Chris Bates. July 2007 (Chapter on Stanza)
Indeitos. 2007 Mundo Urbano.p 60 74. ISBN. 978 -84- 96917- 92.
Soundworks. 2004. p 28 -29. ISBN 0-9547658--0-1
Cidades. 25 Bienal De Sao Paulo. p 425. ISBN. 95 -85298 -14-6
Artists Links. Arts Council Of England. 2002- 2006. page 42 - 43.
Photographic and Digital Media. By Chris Bates. 2009. ISBN: 13:978-0-07-471744-8. Page 121- 125
LAb AU. Designing Spatial Audio Visuals. 2 pages. LQS 02 Praxis, Soundcities.

Catalogues. (selected too many to list)

V & A Decode digital design sensattions. 2009. (No Page numbers)
ShareIT Arte . 2007 Italy. p 40 - 42.
New Forest Pavillion. Venice Biennale Catalogue. Italy. 2007. p 20 -22.
Net Reality Catalogue. 2005. UK. p 12 -13.
Videoformes 2005.France. p 121
Prog.ME Programa De Midia Electonica 2005.
Siggraph 2004. p 102
Syzygy, The Human Remix.USA. 2004. p 12.
Ciberart- Bilbao. Spain2004.
Architectura in Video. Italy 2001.p 113
Split Film Festival. 2004. p 114
Viper Basel Switzerland. 2004. p 23.
Emaf 2004. Germany. p 129
Festival Internatioanl Nouveau Cinema.Canada 2002.
ISEA 2002. Japan. p 39
Internet Art. File 2002. Brazil.(No Page numbers)
Siggraph 2002. p 104- 105
Artrinica: Muestra International de Artes Electronice. 2004. p 36
VideoBrasil 13. Festival Catalogue. 2001
Sonar 2001. p63
MediAterra. Greece. 2001 (No Page numbers)
CyNet Art 2000. Germany. p 200-202
Emaf 1999. Germany. p 254


Articles and Reviews and Images. (Selected)

Neue ZeitschriftFur Musik. 5 Spetember 2004. p 30 - 31
Liberation. Farnce 12 September 2004.page 46 and 47
Creative Review. February 2003. p 56- 59
KLIK. November 2002. Page 62 - 63
Create Online. Issue 024. April 2002. p 46 - 49.
CocleNews 2002. p 8.
CiberPais. April 2001. page 62
BlackBook. Summer 2001. p 132 - 133.
New Media Creative. June 2001. p 15
Art Monthly. Dec - Jan 2000.

 

Stanza is a London based British artist who specializes in interactive art, networked spaces, installations and performances. Stanza's artworks explore artistic and technical opportunities to enable new aesthetic perspectives, experiences and perceptions within context of architecture, data spaces and online environments. His award winning online projects have been invited for exhibition in digital festivals around the world. Work has centered on the idea of the building as a new display system and various projects have been made using live data, the use of live data in architectural space, and how it can be made into meaningful representations. see 'Publicity', 'Robotica', 'Sensity', as well as a whole series of work manipulating real time CCTV data to making artworks with them: See, 'Velocity', 'Authenticity', 'Urban Generation'. These works reform the data, work with the idea of bringing data from outside into the inside, and then present it back out again in open ended systems where the public is often engaged in or directly embedded in the artwork. Work has been shown at The Venice Biennale, Tate Britain, The Victoria and Albert Museum. Recipient of Nesta Dreamtime Award, AHRC creative fellowship and over ten international arts prizes. All his artworks can be found at www.stanza.co.uk


 

Stanza is a London based British artist who specializes in interactive art, networked spaces, installations and performances. Stanza's artworks explore artistic and technical opportunities to enable new aesthetic perspectives, experiences and perceptions within context of architecture, data spaces and online environments. I am Stanza

stanza..La Biennale di Venezia ie Venice Biennale: Victoria Albert Museum: Tate Britain: Mundo Urbano Madrid: New Forest Pavilion Artsway: Haifa Museum Israel: Novosibirsk Festival Exhibition. I am Stanza.

stanza net art pushing data globe 2003...this is stanza.Steve Tanza. This is Stanza.

stanza

Stanza's work crosses borders between artistic, technological and scientific sectors. Stanza creates participatory digital artworks that invite viewers to guide data flows or to simply observe self-generating compositions. His digital paintings shift through abstract and iconic patterns, which people can explore akin to virtual environments. Interactive and visually appealing, his style also maintains the substantive power through multi-facetted content. This artist has won international praise and awards for his new media works that invite collaboration.

Stanza researches data within cities and how this can be represented, visualized and interpreted. Data from security tracking, traffic, and environmental monitoring can all be interpreted as a medium to make artworks. These investigations have created new ways of comparing, conceptualizing and then visualizing complex concepts related to the relationship of emergent data and real space in the built environment. Stanza has meade a series of modular artworks that express the possibilities for our data-mediated future.

stanza cctv soulthis is stanza. Stave Tanza

stanza cctv image

stanza artist..this is stanza.