Artwork. Title "Data Data Data".
This urban spectacle makes the invisible visible. "Data Data Data" is a live, real time data visualisation of the connected city space. This is an art project that re distributes information about the fabric of our cities opening out the notion that the wider city is in effect a large controlled space.
This artwork is made using smart sensors which are scattered over the city. The artists multi sensor network and custom software responds to changes within the urban space and the continuous stream of data is projected back over the city. By embedding the sensors like this we can re-engage with the urban fabric and enable new artistic metaphors within city space. The artwork which is constantly changing is then projected outside across the city in this case Ropewalks Square, Liverpool from a projector sited at FACT.
Context. Making art with environmental data.
The old analogue world of modernism was a world of fluids and gases atoms and molecules. This 'new' digital world is now a world of numbers. Zeros ands ones make up the fabric of our space and experiences. As we move about our interactivity affects the ever changing environment and these changes are reflected back in this real time artwork.
Stanzas work for Liverpool was a playful provocation and re-invention of Ropewalks Square in front of FACT, in effect, ‘reclaiming the streets’ through a fascination with data aesthetics in its purest form as information. Linking these interests is a strong personal motivation to reveal structure driven through a strong sense of social justice reflecting working class roots, ‘re-claiming the streets’. Perhaps now as hegemonies and hierarchies appear on the edge of collapse, the recent work is a timely navigation with young people in considering our re-instatement as individuals in a landscape both virtual and material. A reclamation of rights, public space and identity. “ who considers himself the legitimate basis of truth by virtue of what is supposed to be immediately given for him, obeys the web of delusion of a society that falsely but necessarily thinks of itself as individualistic.”  Theodor W. Adorno, Hegel: Three Studies, trans. Shierry Weber Nicholsen (Cambridge, MA: MIT Press, 1993), 63. Mike Stubbs, Director of FACT
This technology can work locally as well as online over the internet to represent space as numbers but the sensors have to be switched on. Custom software made now enables these sensors to communicate with one another in a network over a proxy server in real time. Two networks of over forty sensors which collect this data to make the artwork have been developed.
The equipment is portable and can be set up to make a visualisation and sonification of any location on a commission basis. Contact me if your interested in exhibiting this.
Keywords: data visualisation, net art, techno, sensors, artwork,