Archive for the ‘emergent city’ Category

The Nemesis Machine in Warsaw. Exhibition: Beyond the Seven curated by Piotr Krajewski.

November 3rd, 2017

Finally finished the lastest version The Nemesis Machine in Warsaw show opens weds night “Beyond the Seven”. Thanks to wro art center who curated moved and supported this. It’s on show then available for exhibitions. Uses live data from various sources and monitors London and Warsaw in realtime. The show is called “Beyond the Seven”. The artwork visualises life in the city on the basis of real time data transmitted from a network of wireless sensors. The artwork you see is a city of electronic components that reflect in real time what is happening elsewhere. Small screens show pictures of the visitors so that they become part of the city. Warszawie ‘za siedmioma’ – megalopolis w budowie / nemezis deweloperów ‘Za siedmioma’ at Dom S?owa Polskiego curated by Piotr Krajewski.

The Third Space a multi layered city of informational data.

June 29th, 2017

 What you see in the artworks are fused layers of city patterns in the form of hybridised hacked maps. These lines, grids, and shapes form the design of the city.This series of artworks represents maps as the drawings and patterns that we make and leave behind on the landscape. The artworks represent the scars on the landscape that we have created into by our actions. The cities we inhabit disclose our behaviour in these systems. Exhibited at Brugges Museum. 2015. What you see in the artworks are fused layers of city patterns in the form of hybridised hacked maps. These lines, grids, and shapes form the design of the city.

In thinking and making these work, various other things start to be played out.  The concepts of the city of noise,  the control city of data, the living breathing city space. Within the series some also merge city data with other cities to create what I term The Third Space a sort of confused multi layered migrant city.  These images also play on the relationship of scale with the micro and the macro . Here is the city as living organism;  it’s alive, ever moving towards the edges of space, alive in a virThe Surface Skin 100-100cm. by Stanzaal sense.

Art engaging with issues of data ownership, privacy of information within the real time city.

June 29th, 2017

The Global Derive, a newly created artistic experiment engaging with issues of data ownership, privacy of information within the real time city.

Stanza presents The Global Derive, a newly created artistic experiment engaging with issues of data ownership, privacy of information within the real time city. During this performative event The Binary Graffiti Club are tracked in the city, they are monitored and surveyed and the collected data is used to visualise them on large screens in the city or gallery.

This software is ideal for festivals as all your visitors can become involved in a massive artwork. They all become interactive participants of the project.

Events/ Exhbitions.

SPECTRA festival In Aberdeen organized by Curated Place. 30,000 people saw it over the four days.

Maxxi. Rome Italy Media Arts. Festival

Warehouse 9. Copenhagen. Denmark

Ongoing

This software is ideal for festivals as all your visitors can become involved in a massive artwork. They all become interactive participants of the project. Funding is needed to develop this to the next level ie more features, interface for phone app , online interface visualisation and cross platform development. Now it is tested and working this can be scaled up. ContThe Global Derive, a newly created artistic experiment engaging with issues of data ownership, privacy of information within the real time city. act me if interested.

People walk around the city. They are dressed in the Binary Club uniform the black binary hooded top; the clothing symbol of the age. They are tracked and monitored as units of data, reduced and simplified and represented as a zero or a one. Custom made software tracks their real time position and the data is collected and fed back to the servers. This performance is exhibited inside the gallery or outside in the city in real time. What you seen on the screen is a poetic interpretation, an abstracted interpretation.

Infobesity Series: Infobesity And Knowledge.

June 22nd, 2017

  Stanza big data, Smart cities, IOT , internet of things , art, software Infobesity Series: Infobesity And Knowledge.

These artworks investigate hidden patterns within fabric of news feeds and live information flows on the internet. Each image is derived from a custom made software system which is manipulated to create the final artwork.

 

Draft Systems WRO Poland. Megalopolis. On Exhibition May 2017

June 16th, 2017

The system grows. Large scale installation of live city wide data . The Nemesis Machine becomes Deus Ex Machina and expands to 50  metres square on cross plinth in Wroclaw Poland.

  • The artwork operates within the themes of the urban landscape, surveillance culture, and the connected city
  • Poses the question of who owns the data while speculating that virtual borders will soon create more systems of control.
  • The wireless sensor network is set up to “visualize” the space all around us as ‘worlds’ full of data across the internet.
  • The artwork is a smart city a hybrid internet of things (IOT) installation.

What happens when the whole world is connected in real time all at once….The Nemesis Machine

WRO Draft Systems Stanza big data

WRO Draft Systems Stanza big data

WRO Draft Systems Stanza big data WRO Draft Systems Stanza big data

The Internet of Things World Forum (IoTWF)

May 25th, 2017

Stanza at The Internet of Things World Forum (IoTWF.  Stanza big data, Smart cities, IOT , internet of things , art, software Stanza at The Internet of Things World Forum (IoTWFStanza artwork on show at the The Internet of Things World Forum (IoTWF) is an exclusive industry event, hosted by Cisco. The IoTWF is widely recognized as the premier thought leadership forum designed to Evangelize and Energize IoT. Known as a must-attend event for key stakeholders and innovators in business, government, and academia, IoTWF brings industry leaders together to collaborate, network, partner, and solve the challenges facing IoT.

Previously held in Barcelona, Chicago, and Dubai, in 2017, IoTWF moves to London, Europe’s fastest growing technology capital. The 2017 IoTWF will explore the impact of IoT on business, technology and society and define a clear sense of the major priorities and challenges facing business as the world migrates towards IoT.

 Stanza big data, Smart cities, IOT , internet of things , art, software

Stanza big data, Smart cities, IOT , internet of things , art, software at the internet of Things World Forum thanks to Cisco Systems.

Exhibitions for the Reader 2017

April 28th, 2017

Exhibitions for the Reader Coming up the following three venues. Kinetica Art Fair London UK 2017EMAF European Media Art Festival Osnabruck Germany April 2017. The New Observatory. The Reader is large six foot data visualization sculpture of the artist Stanza wearing a hoodie reading a book 285 221Foundation for Art and Creative Technology Liverpool UK June 2017.

Artists in The New Observatory create instruments, or use data, to measure the world differently. They conjure new and untold stories, from the personal to the political, micro to macro. They collectively challenge assumptions and standardisation, investigating the moments when logic fails and how that failure might create new possibilities.

Featured In The Guardian Saturday 23 June 2017

Email stanza@sublime.net

 

 

Dundee Contemporary Arts NEon 2016

November 13th, 2016

The artwork reforms this information and data creating parallel realities. At the heart of this work lies an interest in the urban environment, the networks of cameras and sensors to be found there, and the associated issue of privacy and alienation. The work sits in the middle of concepts for smart cities, The Internet of Things( IOT) and the new technologies that monitors the real time environment. In appearance, the Nemesis Machine is like Big Brother parsed through the lens of the Internet of things. It gives visitors a bird’s eye view of a cybernetic cityscape, where skyscrapers are constructed of silicon and circuit boards.

stanza_neon 284-web The Nemesis Machine stanza_neon-299-web

The Nemesis Machine

 

Exhibition in Ghent Belgium at Zeebrastraat

October 15th, 2016

Stanza is presented at New Technological Art Award (NTAA), an international art competition of the Liedts-Meesen Foundation which is part of the biennial update of Zebrastraat. The exhibition update_6 / NTAA 2016 will take place from November 5th to December 4th, 2016 at Zebrastraat Ghent and the Centre for Fine Arts Brussels, Belgium.

Stanza art

The 19 nominated works were selected by an international jury: Head of the jury Martin Honzik (Head of Department Prix/Festival Ars Electronica) together with Peter Weibel (Director, ZKM Karlsruhe), Jean-Marie Dallet (Artist, research professor at the Université Paris 8), Liedts-Meesen Foundation, Stef Van Bellingen (Consultant for Zebrastraat – Artistic leader of WARP), Paul Dujardin (CEO & Artistic Director BOZAR), Nick Ervinck (Artist, winner of the update_2 public award), Alain Thibault (Artistic Director of Elektra), Edwin Carels (Curator New Media exhibitions), Karen Helmerson (Program Director for Electronic Media, Film & Visual Art at the New York State Council on the Arts (NYSCA)) and Ralph Dum (Scientific officer and senior expert of the European Commission).

Stanza art

 

Exhibition In Scotland At Centrespace at the Visual Research Centre Dundee

October 15th, 2016

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NEoN, now in its seventh year,  will feature The Nemesis Machine – From Metropolis to Megalopolis to Ecumenopolis. Date – 9th – 30th November 2016

The internet of things meets a smart city head on in The Nemesis Machine is a large installation which is adapted to each place where it is displayed.  The artwork represents the complexities of the real time city as a shifting morphing and complex system. It visualises life in the metropolis on the basis of real time data transmitted from a network of sensors.

The artwork you see is a city of electronic components that reflect in real time what is happening. Small screens show pictures of the visitors so that they become part of the city. The artwork lies within the themes of the urban landscape, surveillance culture, privacy and connected city spaces.

The artwork also explores new ways of thinking about life, emergence and interaction within public space. The installation goes beyond simple single user interaction to monitor and survey in real time the whole city and entirely represent the complexities of the real time city as a shifting morphing complex system.

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My wireless sensor network is set up to “visualize” the space all around us as ‘worlds’ full of data. These new data-spaces can help us understand the fundamentals of our outside environment.  The age of privacy is over. Imagine walking out the door, and knowing every single action, movement, sound, micro movement, pulse, and thread of information is being tracked, monitored, stored, analyzed, interpreted, and logged. The world we will live in seems to be a much bigger brother than the Orwellian vision, it is the mother of big brother.

 

 

 

Exhibition in Canada at New Media Gallery Vancouver.

October 15th, 2016
Surveillance based artworkThe Agency at the End of CIvilization

A sprawling collection of daisy-chained monitors, watchful orbs and speakers give voice to circulating, machinic narratives. The Agency at the End of Civilization, by British artist Stanza, presents a parallel future-present that combines real-time data with false narratives. In this world we are under constant surveillance; we are watched in precise detail, our movements are interpreted by machines. Yet the interpretation of what we are seeing and hearing becomes increasingly uncertain. The work links real video and information from hundreds of CCTV cameras in the south of England . Aligned to this are millions of car number plates from the UK car number plate recognition system (The Internet of Cars Project). Using predictive software the machine collects what it is seeing in real time, then begins to insert false narratives to create its own version of reality. The work speaks to our control of public space and our trust in technology.

 

WITNESS

Originally the word Witness meant knowledge, in the sense that you must see, observe or know by personal presence. Over time it became understood as a means of establishing identity and thus the notion of the eye-witness was established: one who testifies to what they have perceived through their senses; tasting, touching, hearing…and seeing. The seeing, witnessing machine, is something that has been imagined and alluded to for centuries. This exhibition contemplates the seeing machine.

Surveillance based artwork

There are five works of art in this exhibition. Each sets up an interplay between the perceiving machine, the world that is perceived by the machine and we, who are both perceiving + perceived bodies. A symbiotic relationship is formed between organic and non-organic systems. There are many ways of seeing. One process of controlled watching is surveillance; a monitoring of behavior for the purposes of influence, discipline, protection or control. It has been said that surveillance is as old as civilization itself. In this exhibition we encounter deeply coded, multi-layered processes of seeing, recognition and surveillance.

Machine vision can often outperform humans. Like humans, machines can distinguish light from dark. They form visual images. They understand their surroundings and have knowledge of the world. They follow our movements, predict our behavior, captivate us and bond with us. Perhaps more importantly we bond and enable them. This exhibition allows us to imagine futures and recall why sight developed.

Surveillance based artwork

Hacking Habitat In Utrecht

March 3rd, 2016

Curated by Ine Gevers, Hacking Habitat witnesses  “the rise of a ‘remote control society’ colonizing and infiltrating increasing realms of daily life for the sake of safety and risk- management. Monitoring cameras and smart gateways are installed everywhere, while we are classified and atomized by automatic face recognition. Software and algorithms define who deviates or contributes too little to our economy. ”

Featuring Joseph Beuys (DE), Melanie Bonajo (NL), James Bridle (UK), Felix Burger (DE), Centre for Political Beauty (DE), Johan Grimonprez (BE), Susan Hiller (USA), Samson Kambalu (MW), William Kentridge (SA), Laura Kurgan (USA), Cristina Lucas (ESP), Metahaven (NL), Pedro Reyes (MX),  Stanza (UK), Timo Arnall (NO),  and many others.

 

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The Nemesis Machine is a miniature city, made up of wires, chips, computer parts, switches and specially designed electronics. The installation shows the current data flow of Smart City London, complete with environmental sensors and surveillance cameras, as well as data from traffic information and environmental monitoring systems. The work responds to the temperature, light, pressure and sound of the simulated city. If something changes in London, it’s registered directly in motion, sound and light in the miniature city of Utrecht. The Nemesis Machine is like the avatar of London and is not only driven by the real city, it is entirely dependent on it.15-STANZA-0414b-mj9m0abah8kt7ms5qmn5wpy6cqlj20tpijnm1zlokg

The Nemesis Machine is een miniatuurstad, opgebouwd uit kabels, chips, computeronderdelen, schakelaars en speciaal ontworpen elektronica. De installatie toont de actuele dataflow van Smart City Londen, gemeten met omgevingssensoren, bewakingscamera´s, verkeersinformatie- en milieumonitoringsystemen. Het werk reageert op o.a. temperatuur, licht, luchtdruk en geluid van de nagebootste stad. Als iets wijzigt in Londen, zie je dat direct terug in beweging, geluid en licht in de miniatuurstad in Utrecht. Nemesis Machine is als het ware de avatar van Londen en wordt niet alleen real time bestuurd door de echte stad, maar is er volledig van afhankelijk.

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Exhibition Titled. Herd Above The Noise. Installation of city sounds on 170 speakers

September 9th, 2015

Soundcities – Herd Above The Noise. Installation of city sounds on 170 speakers.

The installation can play thousands of sounds from around the world and is arranged like a map of the city the artwork is installed in. What you see and experience is a map of wires and cables including over 170 speakers, a custom made amplifier that are all used to make the installation. The installation can be changed to just focus on any given city ie London , Paris, Rome or the whole world. The installation features the use of soundcities.com database and live feeds with a new software system. The system works in auto mode if no one uses it or can users can interact and choose the sounds that get played on the speakers. (Its both interactive and generative)

Soundcities was the first online open source database of city sounds and soundmaps from around the world, using found sounds and field recording. The concept started in 1995 with various interactions. Stanza’s soundmaps have been online since 2000 and the Soundcities database since 2004.

French Text:

Le projet d’installation Soundcities s’inscrit dans le prolongement de la base de données interactive éponyme initiée par Stanza en 1995, pour apparaître sur le web en 2004 dans sa version actuelle, renouvelée en permanence. http://www.soundcities.com/ est la première base de données en open source rassemblant les sons des villes grâce à des captations sur le terrain, à des compilations de sources existantes, et ouverte aux contributions en ligne.

Soundcities By Stanza

Stanza Paintings

New Commission For Wolverhampton Art Gallery using networked cameras feeds

September 22nd, 2014

Title: Parallel Realities: Entropy Through Black Matter: By Stanza 2014. Commissioned by Wolverhampton Art Gallery to celebrate the Black Country Echoes Festival.

The artwork creates what the artist Stanza calls a “Parallel Reality”, merging multiple experience of the same place into one fused experience. What you see and experience is a constantly changing, ongoing series of images moving forward in time. The artwork creates what the artist Stanza calls a “Parallel Reality”, merging multiple experience of the same place into one fused experience.http://stanza.co.uk/blackcountry/index.html

Parallel Realities: Entropy Through Black Matter: By Stanza 2014.

 

 

 

New Commission – Software system manipulates the real time transport data in London

May 6th, 2014
Syncronicity: Layers of Infinite Possibilities In A World Of Closing Borders

Syncronicity: Layers of Infinite Possibilities In A World Of Closing Borders

Syncronicity: Layers of Infinite Possibilities In A World Of Closing Borders.” manipulates the real time transport data to re-interpret the city fabric as an organic pattern based system. Synchronicity becomes a hybridized maze, a cellular and organic system which is presented to the screen. The artwork uses real time bus and tube data from real time transport data London. 3d portrait of Stanza  inside live London data.How will big data empower the system and does this added value allow more freedom or does it seek a more subversive form of control?

http://stanza.co.uk/sycronicity1/index.htm

stanza_body2stanza_data1

Syncronicity: Layers of Infinite Possibilities In A World Of Closing Borders

Syncronicity: Layers of Infinite Possibilities In A World Of Closing Borders

Exhibition at TSSK Metamorf Trondeim Norway. The Emergent City By Stanza.

May 5th, 2014

TSSK Metamorf May 1 2014. The Emergent City By Stanza. Live data from across the city used to connect city spaces.

The Emergent City By Stanza

Photo of Installation By Stanza TSSK

Photo of Installation By Stanza TSSK

http://www.artlyst.com/articles/stanza-real-time-city-of-bits-installation-unveiled-in-norway

http://trondheimkunsthall.com/news/Hacking-Access-A-conversation-with-Stanza

http://www.adressa.no/kultur/article9593901.ece

http://metamorf.no/?p=72 http://www.samtidskunst.no/

I make artworks that arise from my research into the themes of  ‘control space’ and ‘surveillance space’ and issues with privacy. What I’m doing, which is sort of new ground, is that I’m hacking access to a network and re-appropriating the data and information, and I’m re-contextualizing it to give it a wider meaning. I want to show that you can do something positive with this data. And as I say data is the medium of the age.

Where do you see net art is going from here? Increasing complex divergent and data driven experimentation might cause a reliance on other peoples systems of ownerships (i.e. apis, code bases, gateways) that will only have a certain longevity. As net art there are now several important levels of investigation and pathways. By researching current systems, software and artworks one can come to an understanding about the social and ethical implications of such technologies, both in artworks as well as public domain, and to speculate where these technologies could lead us in the future. The path I am taking is to connect virtual spaces online creating what I call “The Third Space”. Future cities/spaces will be merged into real time connected up data cities. A connection of networks of real time information flows. The results created lead to mashed up cities and real time performative city experiences.

TSSK Metamorf May 1 2014. Sonicity By Stanza

Sonicity