Archive for the ‘links’ Category

The City Re-imagined. Residency at FACT Liverpool. 2010

March 11th, 2011

A series of artworks centered in Liverpool by Stanza from a residency at FACT. These artworks are about the city and how we react to the changing space around us. They are focused on our relationship to urban space and how by incorporating live data and CCTV images, different representations of Liverpool and as a living breathing entity can emerge. The works are provocations that relate to our hopes and aspirations for the spaces around us.

In these artworks I set out to explore public domain space in innovative ways following on from my first Ropewalks Square proposal to FACT(http://www.stanza.co.uk/portal/) and to make artworks exploring the use of live data CCTV in public space. The works are located between art, urbanism, and surveillance culture and they focus on the ethics and ownership of public spaces and how they are used.  The work includes ten interventions and artworks which  are all online (see below). I have tried to create narratives that demonstrate innovation and ethics of space and in several projects used an audience or local people to be involved in the works.

Included in the body of artwork are sensors that monitors spaces for environmental change. Another artwork proposes to extend the building at FACT virtually by projecting CCTV into Ropewalks Square and across the city. Another is a spy frog that talks, and a series of new public squares have been made across the city with minimal aesthetic were one can go to contemplate just what is going on.

These projects like are like seeds. They have been planted and now they need watering.

I hope you enjoy the work.

Public Domain: Series III.

Stanza Artwork Live CCTV

Live CCTV across the city. Continuing the series of investigations into the uses of CCTV to extend space and invoke impressions of transparency with architectural space. Here to extend the architecture of the building and extend it into the city. The artwork includes the performative aspect of those being watched as can be displayed inside the work. http://www.stanza.co.uk/CCTV_publicdomain/index.html

We have nothing to hide only to loose.

 

Stanza Artwork

A performative piece using CCTV systems. The CCTV follows the artist around the building in the depths of the night and the result is projected outside in the city. http://www.stanza.co.uk/CCTV_performance/index.htm

Regeneration Squares.

 

Stanza Artwork

http://www.stanza.co.uk/stanza_regeneration/index.html

Re-animating and remapping the city. This project involves making new public squares in the city to make a regeneration of the city. Here area selection of these new squares in Liverpool. In addition I invite the public to find these squares and present situations to intervene and to regenerate these new public spaces.

Fortuna.

Stanza Artwork

Stanza Artwork

http://www.stanza.co.uk/sisyphus/index.html

This is an online artwork using images from across the city, representing the struggle for change. The street was known as the Bond Street of the North, it was in the past a toll road. The working classes would go to work under the road in tunnels and enter via back doors of the expensive shops; never to be seen by the rich, thus kept separate. The city has a new “Bond Street” the L1 area. It is a cathedral of commerce separate from the issues that exist everywhere else in the city.

Binary Graffiti Club.

 

Stanza Artwork

http://www.stanza.co.uk/binary_club/index.html

Inspiring young people to see the city as canvas to create change. This is a selection of images that represents the hopes and aspirations of young people set in various contexts in especially made binary hoodies.

Data data data

 

stanza Artwork. Live sensor data. 2010

http://www.stanza.co.uk/data/index.html

A live projection of environmental changes. Sensors scattered over the building respond to changes in space in real time. They are turned into an event space projected into ropewalks square. This artwork is networked, its real time, and its takes data from a wireless sensor network that is placed in the real space.

Mental Memes.

 

Stanza Artwork.  2010

http://www.stanza.co.uk/mental_memes/index.html

The idea is to create a visual regeneration with the mind. I want to use space and time at a football match for an artistic intervention. The idea is to see the mind as a public domain space for this intervention; and to make an artwork using this space.  This project is about giving some time back to a collective entity, a visualisation for a common good to empower the space around us. In this case the city. It might be a simple mind map or it could be a complex linking of all the heartbeats of the audience.

Soundcities

 

Stanza Artwork.  2010

http://www.stanza.co.uk/soundcities_liverpool/index.html

From the first UK soundmap project, here are 200 sounds from all over Liverpool, Gathering assets for mediated visualisations across Liverpool. (http://www.soundcities.com/)

an online artwork using images from across the city, representing the struggle for change.

Spy

 

Stanza Artwork.  2010

http://www.stanza.co.uk/frogs/index.html

Robotic sculpture frogs see people and tell them what to do. The programmed frogs can talk and as you walk passed them they tell you what they think.

In God We Trust.

 

Stanza Artwork.  2010

http://www.stanza.co.uk/ingodwetrust/index.html

The idea was to collect data in the house of god to monitors His presence. Sensing God with environmental monitors. The data is turned into sounds and visuals. ie a sonification of God space and a visualization thus questioning our belief systems.

Portal.

http://www.stanza.co.uk/ropewalks%20square/index.html

A proposal to cover Ropewalks and to create a unique arcade. Moving away from old metaphors of Liverpool’s imperial history, to create a newer global image, digital and creative, a vibrant risk taking culture that is  independent, free thinking and global.

All artwork Stanza. 2010

Software to “hear” sounds.

June 25th, 2008

CCTV cameras which use artificial intelligence software are being developed to “hear” sounds like windows smashing, researchers have revealed.

University of Portsmouth scientists are working on adapting the software so it can also react to crowd noise.

Crimes would be captured on camera faster and response times improved.

The news comes after the BBC learned councils in southern England routinely used powers brought in to fight terrorism and crime to spy on people.

Figures obtained by BBC South showed the Regulation of Investigatory Powers Act (Ripa) was used more than 750 times by the councils in 2007/08. The new three-year surveillance study is being funded by the Engineering and Physical Sciences Research Council (EPSRC).

http://news.bbc.co.uk/1/hi/england/hampshire/7471140.stm

http://www.port.ac.uk/aboutus/newsandevents/frontpagenews/title,79126,en.html

The research team is now working on using the same software to ‘learn’ sounds and react to them by swinging the CCTV camera towards in them at the same speed a person would turn their head if they heard someone scream, which is about 300 milliseconds.

Dr David Brown, director of the Institute, said: “The visual-recognition software will be able to identify visual patterns but for the next stage we want to get the camera to pivot if it hears a certain type of sound. So, if in a car park someone smashes a window, the camera would turn to look at them and the camera operator would be alerted.

“The longer artificial intelligence is in the software the more it learns. Later versions will get cleverer as time goes on, perhaps eventually being able to identify specific words being said or violent sounds. We are only listening for specific words associated with violence, not full conversations.”

The software behind this research uses fuzzy logic to identify certain visual cues and sounds. Dr Brown said: “In identifying sound we are looking for the shapes of sound. In the same way, if you close your eyes, you can trace the shape of a physical object and ‘read’ its profile with your hand we are developing shapes of sound so the software recognises them.

“The software will use an artificial intelligence template for the waveform of sound shapes and if the shape isn’t an exact fit, use fuzzy logic to determine what the sound it. For example, different types of glass will all have slightly different waveforms of sound when they smash but they will have the same generic shape which can be read using fuzzy logic.

“It’s a very fast, real-time method of identifying sounds.”

Citysense passively “senses” the most popular places based on actual real-time activity and displays a live heat map.

June 18th, 2008
stanza image

Stanza Artwork. Shanghai 2004.

Here is the sales pitch from citysense. A system for gathering and representing real time city data from San Francisco. A nice idea for a company.
Quoted.
Citysense is an innovative mobile application for local nightlife discovery and social navigation, answering the question, “Where is everybody?”

Citysense shows the overall activity level of the city, top activity hotspots, and places with unexpectedly high activity, all in real-time. Then it links to Yelp and Google to show what venues are operating at those locations. Citysense is a free demonstration of the Macrosense platform that everyone can enjoy.

Instead, it evolves searching to sensing. Citysense passively “senses” the most popular places based on actual real-time activity and displays a live heat map.
Location data is everywhere. Cars, buses, taxis, mobile phones, cameras, and personal navigation devices all beacon their locations thanks to network-connected positioning technologies such as GPS, WiFi and cell tower triangulation. Millions of consumers and businesses use location-enabled devices for finding nearby services, locating friends & family, navigating, asset- and pet-tracking, dispatching, sports, games, and hobbies.

These forces have lowered the cost of technology, ignited interest in location-enabled services, and resulted in the generation of significant amounts of historical and real-time streaming location information. Sense Networks was founded on the idea that these datasets could provide remarkable real-time insight into aggregate human activity trends.

Macrosense employs patent-pending technology to learn from these large-scale patterns of movement, and to identify distinct classes of behaviors in specific contexts, called “tribes.”

Once it’s known which tribes are where, by sampling the distribution of tribes at any given place and time, it’s possible to understand what it means when a user is there at that place and time.

For example: rock clubs and hip-hop clubs each retain distinct tribal distributions. When a user is out at night, Citysense learns their preferred tribe distribution from time spent in these places. When that user visits another city, they see hotspots recommended on the basis of this distribution and combined with overall activity information.

Users who go to rock clubs see rock club hotspots, users who frequent hip-hop clubs see hip-hop hotspots, and those who go to both see both. The question “where is everybody like me right now?” is thus answered for these users – even in a city they’ve never visited before.

Citysense is an application that operates on the Sense Networks Macrosense platform, which analyzes massive amounts of aggregate, anonymous location data in real-time. Macrosense is already being used by business people for things like selecting store locations and understanding retail demand. But we asked ourselves: with all this real-time data, what else could we do for a city? Nightlife enhancement was the obvious answer. This release is just a test, and we’re interested in your feedback on how to make the application better. You’ll find a feedback button in Citysense.

Principles…

People should own their own data
People should have full control over the use of any data that they generate. All data collection should be “opt-in,” and users should be able to easily remove themselves and their data from the system without questions or hassle. The system doesn’t “remember” a user for later, but completely deletes data at the user’s discretion.

People should receive a meaningful benefit in exchange for sharing data
Meaningful benefits include compelling applications to help manage life better, or personalized services based on anonymous learning from “users like me.” People should be able to enjoy the benefits of these services simply in exchange for their data.

We’re looking for additional common good uses of aggregate, anonymous location data. If you would like to submit a project for consideration, please contact us at ….
http://www.citysense.com/home.php

All of the above ref their website.

From my Sensity projects.
Citysense…Sounds like sensity backwards….Various types of data can be re-imagined within the context of city space and the environment. This includes pollution data recorded via sensors in the street, to create audio acoustic files expressing the pain and suffering of the air as it pollutes. Weather and forecast data, acquired via weather station equipment; this can be used and can create ambient soundscapes and morphing visualizations as the wind shifts direction or the rain increases. Noise monitor levels, and noise maps , create a symphony of true urban sounds that can be used to make sound reactive sculptures. The patterns we make, the forces we weave, are all being networked into retrievable data structures that can be re-imagined and sourced for information. These patterns all disclose new ways of seeing the world. The value of information will be a new currency as power change. The central issue that will develop will be the privilege and access to these data sources….
I like their pitch about owning their own data, couldn’t agree more in fact all royalties should be shared. Its not just about privacy its about ownership. Once you enter the grid you body is now externally giving away data and information. Companies are now rushing to harvest this information , ( information services) making new products for mobile devices. I think we are going to see a lot of this.

Theory Of Evolution Of Cities Links Science, Fractal Geometry

May 27th, 2008

Theory Of Evolution Of Cities Links Science, Fractal Geometry

All from this link:

http://www.sciencedaily.com/releases/2008/02/080215211940.htm

ScienceDaily (Feb. 21, 2008) — A paper by Professor Michael Batty (UCL CASA) published in ‘Science’ and the video that accompanies this highlights a new way of looking at cities that has emerged during the last 20 years that could revolutionise planning and ultimately benefit city dwellers.

‘The Size, Scale and Shape of Cities’ advocates an integrated approach to the theory of how cities evolve by linking urban economics and transportation behaviour with developments in network science, allometric growth and fractal geometry.

Professor Batty argues that planning’s reliance on the imposition of idealised geometric plans upon cities is rooted in the nineteenth century attitude which viewed cities as chaotic, sprawling and dirty. Instead, he reports research that suggests beneath the apparent chaos, there is a strong order: “Cities are the example par excellence of complex systems: emergent, far from equilibrium, requiring enormous energies to maintain themselves, displaying patterns of inequality spawned through agglomeration and intense competition for space, and saturated flow systems that use capacity in what appear to be barely sustainable but paradoxically resilient networks.”

These geometrical plans, such as Ebenezer Howard’s ‘Garden City of Tomorrow’, propose an ideal city size and structure, which according to Professor Batty, ignores the way in which real cities develop: “Idealised cities are simply too naïve with respect to the workings of the development process, and competition for the use of space that characterises the contemporary city and the degree of diversity and heterogeneity that the most vibrant cities manifest.”

Instead, according to Professor Batty, cities grow through allometry – growth at different rates – resulting in a change of proportion – and this changes the energy balance used to sustain them. “Network science provides a way of linking size to the network forms that enable cities to function in different ways. The impacts of climate change, the quest for better performance, and the seemingly intractable problems of ethnic segregation and deprivation due to failures in job and housing markets can all be informed by a science that links size to scale and shape through information and material and social networks that constitute the essential functioning of cities.”

While Professor Batty is quick to point out that the method of looking at how cities function as complex systems is still in its infancy, he is confident that the past and continuing practice of imposing an idealised geometric system on them won’t resolve current urban ills. “This new science makes us much more aware of the limits of planning. It is likely to lead to a view that as we learn more about the functioning of such complex systems, we will interfere less but in more appropriate ways

stanza_kaleidoscopic_robots

stanza kaleidoscopic robots software 2007

Stanza artwork….2007

Participatory Urbanism

May 23rd, 2008
Stanza Image.

Amber stanza with CCTV data globe (no reproduction rights allowed) 2005

Copyright Image by Stanza 2004

We argue there are two indisputable facts about our future mobile devices:

(1) that they will be equipped with more sensing and processing capabilities and (2) that they will also be driven by an architecture of participation and democracy that encourages users to add value to their tools and applications as they use them.

What happens when individual mobile devices are augmented with novel sensing technologies such as noise pollution, air quality, UV levels, water quality, etc? We claim that it will shatter our understanding of these devices as simply communication tools (a.k.a. phones) and celebrates them in their new role as measurement instruments. We envision a wide range of novel physical sensors attached to mobile devices, empowering everyday non-experts with new “super-senses” and abilities. All quoted from the website. Participatory Urbanism

stanza_softwarepeople_trails

Stanza image tracking people from CCTV 2004.

Sound in The City.

May 19th, 2008
stanza map

Stanza Image: GPS sound map, around my house.

“This application visitors of the IAMS website can listen to recorded soundwalks and simultaniously follow the track on the world maps of Microsoft’s Virtual Earth ®. http://www.adaptivemusicandsound.org/

This gives the opportunity to evaluate and compare the sounds at their orginal (but virtual) locations. The application went online with 18 soundwalks as a start.
Sound designers, sound recordists, sound hunters and sound amateurs of all kinds will (soon) be invited to take part in this soundscape research project.

We as researchers are interested in how cities sound. To that purpose we wish to collect sounds of as many places in the world as possible. Recordings of rural places and nature are also welcome for inspiration and comparison.

You can also enjoy the audio maps as a form of acoustical tourism.
We developed an application that makes it easy to input the data of your walk. In the next version (to be released very soon) you can upload your own recordings and connect the corresponding path to Virtual Earth ® maps.

These data and the recording will generate a Virtual Earth ® tour connected with your audio. Everybody can watch and listen to this tour and the timing of your audio will correspond exactly with the locations on the map. You will find the instructions for uploading in the next version of the application.” all quoted off the website

Net art and the audiovisual experience on touchscreens 2002

April 9th, 2008
genomixer in touchscreen by stanza 2002

genomixer in touchscreen by stanza 2002

Stanza touch screen works “A new aesthetic is emerging in which depth, narrative and meaning are being replaced with the pleasures of sensuous experience and spectacular effects.” (Lister et al. 2003)

Amorphoscapes “An audio visual synthesis, a new kind of painting.” (Stanza)

Essential to the aesthetics that Stanza is trying to achieve is the importance of the aural experience alongside the visual experience. The audio and visuals must work together as a unit; therefore neither one is compromised for the benefit of the other.

Definitions

“amorphous”

to be without definite shape or structure

“scape”

a type of view or scene

Stanza’s definition:

“Audio visual relationships between art and science…maybe.”

Algorithm art

John Landsdown: “…devise an algorithm and see what sort of art it produces.” (Mealing 1997 p.15)

Cultural interface

“Cultural interfaces try to accommodate both the demand for consistency and the demand for originality.” (Manovich 2001, pp.90-91)

User is content

A.I. Richards stated that “…the meaning of a text resided not in its author’s intentions but in its reader’s legitimate…interpretations.”
(Levinson 1999, p.39)

McLuhan developed this theory further “…[from] the user interpreting the text to determining the text to being the text…The user is the content.” (Levinson 1999, p.39)

McLuhan describes this process of interaction as: “…the human being as an active master of media – not just sent through the media, but calling their shots, literally creating their content, and having unprecedented choice over what the content will be when it has already been created by someone else.” (Levinson 1999, pp.40-41)

see www.amorphoscapes.com

Amorphoscapes: Net art and the audiovisual experience. Stanza Touchscreens in Performance 2005.

Amorphoscapes: Net art and the audiovisual experience. Stanza Touchscreens in Performance 2005.

Surveillance artworks: experiments with realtime images.

October 22nd, 2007

stanza artist


Stanza artwork: Live CCTV online remixed in real time. 2004

Projects with tangible outcomes for the mobile infrastructures. Using CCTV to create emergent artefacts and new ways of seeing the city. In the UK there is one CCTV camera for every 14 people. If you are in London, you could be caught on camera up to 300 times a day. Westminster City Council in London have come up with a solution – CCTV cameras without wires, which broadcast their pictures back to base using the council’s new wireless network. The advantage a wi-fi network camera is the mobility.

The pilot scheme uses five discreet cameras to monitor people’s comings and goings in Soho Square. Wireless CCTV cameras make it easier for more and more cameras to be installed.

“Within the Soho Square we have a network of wireless LAN bridges providing blanket coverage throughout the square,” said Tim Hearn of Cisco Systems which is providing some of the technology. “Down the narrows streets, Greek Street and Frith Street, we have Wi-Fi pointing down those streets as well so they give us coverage down there.” So that’s a network of wireless LAN devices that we then plug into CCTV cameras, we provide access to mobile workers that will have laptops of mobiles working with them, or maybe some specialist devices. “We’re also linking into noise monitoring devices or other sensors,” he said. Sourced from the BBC website.

The city already has a recorded source of data, cctv is everywhere. Using data from cctv, artists can bring the outside inside. Selected feeds are collected from around the city in real time. These real time images can be fed into software systems where a series of specialised channels rework these images. The channels are always on, and always changing, a constant view of any city or environment evolving around the clock.

I have made a system or art project called ccityv which uses specially created software and technology to randomly engage any camera globally. The system can grab images from any source.

I have to extend this to network cameras in the Bristol area. It is now possible to go further and get everyone in Bristol to tell us where webcams and cctv systems are; we could also set up some of our own. We can then grab all this imagery and edit it rework it and manipulate it inside the software.

Using pdas we can also send users to find the cameras to be recorded and re-engage with the world of surveillance. This system can capture portraits to monitor, and we can use it to tell stories and narrative in the street that can come into the ccityv project. This allows a process to start whereby we can get the outside inside and the inside outside. Data maps can be set up using the mobile Bristol software so that users can find these cameras and put themselves in the pictures. Then when it is updated you would be updated into the archive online. So the public can have all sorts of fun with this. The public can use cameras to make narratives, take portraits, subvert the surveillance process etc.

My system is online and can be engaged with in the everyday use by anyone. Most importantly it is inside the gallery projecting onto display devices. Note this is in real time, it is also online (see urls below); see the date and time stamp on each one. Also if a camera does not load please wait and a new one will be found immediately. Sometimes cameras go offline. The first image to load is a ‘dummy’ image.

Stanza artworks using CCTV

URBAN GENERATION

http://www.stanza.co.uk/urban_tapestry/index.html

YOU ARE MY SUBJECTS

http://www.stanza.co.uk/i_spy/index.htm

http://www.thecentralcity.co.uk/ccityv/

http://www.stanza.co.uk

stanza cctv artwork

Stanza image of cctv artwork.

The results are like an online realtime vj system mixing CCTV  images from around the worlds in real time.

bristolglobe

Cloud of data in Bristol. 2003. Live data responsive system

Exhibition Title: Online—The Emergent City By Stanza.

July 6th, 2007

stanza_artist__webstanza artwork called globals

stanza image : artwork called globals 

List of works about Cities. This is a list of links to my online artworks about cities. I am looking for a curator to make an exhibition of this as well as an exhibition space for an offline show.

Exhibition Title: Online

The EmergentCity by Stanza

Control Series, (Paintings ) http://www.stanza.co.uk/art/play.html

New Decayed series. (Paintings) http://www.stanza.co.uk/art/shop/indexdecay.html

Memory Mapping (Drawings). http://stanza.co.uk/memoryweb/index.html

Conundrum. (video) http://stanza.co.uk/conundrum/index.html

Artitexture. (video wall) http://stanza.co.uk/artitexture/artitexture_pages/index.htm

The Central City (website)http://www.thecentralcity.co.uk/

Inner City (Touch Screen) http://www.thecentralcity.co.uk/innercity/index.html

Biocity. (Touch Screen) http://stanza.co.uk/touch/index.html

Photocities (website) http://www.thecentralcity.co.uk/photocity/index.html

Diversity. (Projection) http://stanza.co.uk/diversity/index.htm

Brilliant City film (Plasma) http://stanza.co.uk/cinedata/index.html

*Authenticity (Projected )http://stanza.co.uk/authenticity/index.html

*Urban Rythms ( plasma) http://www.stanza.co.uk/spain_cctv/index.html

Codified (plasma triptych) http://www.stanza.co.uk/codefied/stanza_f9.htm

Megalopolis (plasma) http://stanza.co.uk/megalopolis_web/index.html

Globals. (Projected). http://stanza.co.uk/global/index.htm

Earth, Wind, Fire, and Water. (screens )http://www.stanza.co.uk/chinashanghai/index.html

*Urban Generation , Installation http://stanza.co.uk/urban_tapestry/index.html

*You Are my Subjects http://stanza.co.uk/i_spy/index.htm

*Blue Skies (Small display)http://stanza.co.uk/blue_skies/index.html

*House (Projected) http://stanza.co.uk/house/index.html

*Sensity (Projected and installed) http://stanza.co.uk/sensity/index.html

*Soundcities. Online database…headphones booths to touch screen.

Soul. (large installation.http://www.stanza.co.uk/soul_globe/index.html

Work that need the involvement of space and community

Publicity( CCTV onto outside) http://stanza.co.uk/publicity/index.html

Public Domain ( Gving CCTV units away) http://stanza.co.uk/publicdomain/index.html

Soundcities. (Online database.) Workshop collecting sounds. The sounds of the city

Sensity (Installed version) http://stanza.co.uk/sensity/index.html

  • *Denotes live networked artwork therefore needs internet connection
  • Other works can be shown and exhibited locally
  • Also available are paintings, prints, drawing of maps, and slides (not online).

Also a selection of digital prints will be made up and shown.

What is needed for an offline gallery exhibition are computers, projectors , displays, works printed up framing and electronics. Plus exhibition infrastructure, transport and catalogue.

Art on spheres. Stanza 3d display globes with data and surveillance.

June 1st, 2007

I have for the past four years been trying to make a large scale display of live data in a globe screen; and I have made several works in this area. I first made this proposal to the Watershed in 2004 and developed several concepts and prototypes with them through my Clarks bursary.

stanza 3d globe

Stanza. Art on spheres. Stanza 3d display globes.

3D globe with live data. 2004.

This research was also followed through with my Nesta Dreamtime Award in 2004, and I also pitched it to the Nesta business unit to make a real globe in 2004 (to develop this as a display device) as part of my Nesta Dreamtime outputs.

stanza 3d globe

Stanza. Art on spheres. Stanza 3d display globes.

Pitch to Watershed to place data glove outside the media centre..image 2004…the pitch was made again in 2006, when I sent the proposal for SOUL on the globe.

As part of this research I looked at other 3d globes of which have appeared in the last five years such as Omniglobe and Pufferfish. Indeed Pufferfish now has a really nice 3d globe that they market as a display for trade fairs.

Stanza Image. cctv

Live CCTV. Stanza. Art on spheres.

Stanza image..live CCTV on Globe. Shown here at County Hall Pufferfish Globe. 2006

I was going to make my own globe at one stage in 2003 but didn’t have the money to pursue. I also was involved with BDS it its inception, ie as a director of BDS, when we made a globe in China by project images onto Armand’s Weather balloon which we took to China, which looked quite nice. (I subsequently left them and only worked with them for the brief period in China).

stanza image

Stanza image from China. We tried this experiment in China….on a large weather baloon. The image shows a live CCTV camera of mine, which was showing a picture from my house. 2003

stanza image

stanza image 2004

also this one showing live images from Mexico CCTV being hacked 2003. the image on the globe is the data and time stamp of the CCTV camera

I have subsequently developed some relations with Pufferfish to show work on a 3D globe which they developed. Indeed they where kind enough to let me test some work on their display.

stanza image

stanza image 2004. 3d Globes

Stanza image on Pufferfish display…live sensors from across the city showing live data in a real 3d globe, in this case the work Sensity. 2006

I cannot claim to own any patents on globe technologies unfortunately, however what all my ideas in this area have in common was a goal to make a 3d display technology and place it in an artistic context as a sculptural display.

Live CCTV

stanza image 2004. 3d Globes

LIVE CCTV for a globe hung above the city. 2004.

My artistic goal was much more focused on the nature and use of this technology.

So this for the past four years I have been researching the use of live data for art gallery use indoor and outdoes to make a piece of work from a fine art perspective ie for cultural use, that would appear as a 3d globe.

I have used live CCTV images, realtime news feeds and various forms of live data from my own sensor networks. Indeed the idea of “globe” was essential to my metaphor of a world full of data, and archive, a meta ball of information.

This process hasn’t been easy, as well as trying to develop prototypes for four years I having been applying for arts grants to install a 3d globe to show live data in an art gallery. I pursued this idea of a globe showing live data from a cultural perspective ie real time information from various sources so the whole piece becomes a data globe, a world focused on the nature of live data and information flow. I want this to be both an outdoor public sculpture but also a piece indoors in an art gallery.

stanza globe with live feeds

Stanza image 2004. 3d Globes

Stanza live feeds on globe. 2004

I had also applied to Space 4 gallery in Peterborough where they said yes to the idea. (They had agreed a one man show that subsequently fell through) Indeed their curator Lisa Helin made a bid to the arts council on my behalf…or rather she filled the form in only for it to be rejected in 2006, by London Arts.

I had also pitched the globe project to The Watershed where my original ideas were formed as part of a Clarks Bursary in 2004.

I also pitched this as Sunderland Winter Gardens where I came second in a shortlist process in 2006.

Series of Sketches for SOUL…live data in the city.

I was also recently approached by a consortium in the United Emirates about this concept but it fell through this was such a disappointment as they where planning a series of them.

I think it would be great at the Tate Gallery, Turbine Hall if it looked like this with live data in it.

stanza

stanza image 2004. 3d Globes

Amber Stanza in Turbine Hall…image shows live data (CCTV feeds from around the TATE on huge globe…

It would look like this…………………..

Links to my works on this…

2006: http://www.stanza.co.uk/sensity/index.html
2004: http://www.stanza.co.uk/micro_city/index.html
2004: http://www.stanza.co.uk/global/index.htm
2006: http://www.stanza.co.uk/soul_globe/index.html
2006: http://www.stanza.co.uk/biocities/index.html
2006: http://www.stanza.co.uk/newsfeeder/index.html

In short I am still trying to this, so if anyone wants to commission me get in touch.

As you might know if you read this Blog. I am the recipient of an AHRC research fellowship. The concept of displaying live data on unique technologies is also one of my listed outputs of my fellowship.

Indeed Helen Sloan of Scan and Gill Haworth and all at the Watershed Media centre are supporting me in my endeavour find galleries and public art spaces who are interested on exhibiting my work.

Proffesor Janis Jefferies at Goldsmiths is also helping look for outputs for this

If you are a gallery and you want to exhibit my work contact me.

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