Archive for the ‘display’ Category

FANTOMOLOGIA. Dal micro al macro

February 8th, 2019

The project “PHANTOMOLOGY. From micro to macro to reality phenomena” curated by Marco Mancuso, Daniela Tozzi and Ilaria Bignotti, presented by CUBO – follows two different lines of action.

On the one hand, it suggests a possible evolution of CUBO artistic proposal by carrying on its research of the last years and inducing a deeper analysis on the relationship among technology, scientific investigation and identity between human beings and their surrounding environment. On the other hand, it deconstructs the classical display modes of contemporary art and narration of New Media Art by fluidly moving among installation elements, performative feedbacks and theoretical and dialogical apparatuses. CUBO and Unipol spaces (the Art Space, the auditorium, the multimedia library) are thus transformed by the “PHANTOMOLOGY” project into a constantly changing narrative paradigm. They become a delocalized place where the public is asked to reflect on the power of technological changes and on the impact they have from the artistic as well as from the social, cultural and political points of view, thus investigating both the expressive power of nature and its intrinsic capacity of modelling and of aesthetic and formal composition.

THE TECHNOLOGICAL ENVIRONMENT

The era we are experiencing, characterized by a constant and increasingly rapid technological and scientific development, involves on the one hand strong enthusiasm and curiosity towards a future that appears generous in the utopian conception of what we consider progress and well being, and on the other hand a gradual awareness and redefinition of the centrality of our role in relation to the other, to the different, to what exists out of us. In fact, contemporary human beings are dominated by a constant flow of data and information indiscriminately produced by machines, services, artefacts and other living things; a series of ephemeral and invisible “objects” that we partly produce and partly collect, allowing us to build and shape forms of relationships with the world around us.

The Nemesis Machine – From Metropolis to Megalopolis to Ecumenopolis on display at CUBO Art Space is one of the most iconic works by the British artist STANZA, since the Mid-eighties a pioneer and experimenter of the complex relationship among man, technology and space declined in its different personal, relational and architectural forms. The artwork is a complex and surprising scale representation of a virtual city, whose formal elements are composed of circuits and electronic components, while the lighting is made of LEDs and indicators that monitor in real time information flows, connections and public data networks of the real city around them. A miniaturized synecdoche reproducing the dynamics that characterize, for better or for worse, our daily lives. A transparent membrane that connects CUBO with the city of Bologna, which lives and breathes beyond the large window facing the installation and from which The Nemesis Machine attracts the attention of the visitors, who in turn become part of the artwork as soon as their movements in the exhibition space are monitored and reproduced by a sensor system on a series of small screens. A reminder of Michel Foucault’s statement: “Se forme alors une politique des coercitions qui sont un travail sur le corps, une manipulation calculée de ses éléments, de ses gestes, de ses comportements” [it now takes shape a policy of coercion that is a work on the body, a calculated manipulation of its elements, its gestures, its behaviours]”1 as well as of the evident privacy implications related to those same surveillance technologies and “intelligent automation” to which we have delegated our anxieties of space “protection” against what is “different” and “unknown”. In fact, as Étienne de La Boétie recalls, “Ce maître n’a pourtant que deux yeux, deux mains, un corps, et rien de plus que n’a le dernier des habitants du nombre infini de nos villes. Ce qu’il a de plus, ce sont les moyens que vous lui fournissez pour vous détruire. D’où tire-t-il tous ces yeux qui vous épient, si ce n’est de vous?  [This master who so dominates you has only two eyes, two hands, a body, he has nothing more than the less important man of the immense and infinite number of our cities, if not the superiority that you attribute to destroy them. Where have you taken so many eyes, with whom I spy on you, if you do not offer them to you?]”2

The Nemesis Machine by Stanza

 

 

STANZA’s artistic research focuses on the critical and social analysis of the vital participative systems that characterize contemporary cities, formalizing his work in a series of artworks that, by exploring adjoining disciplinary areas such as Net Art and Interactive Art, aim to trigger dialogues and conversations on urban, technological and social space policies. In his actions and installations, STANZA offers the public the classic archetype of the metropolis as a technological and biological organism, based in both cases on a system of constant and frenetic relationships that make up its lifeblood, thus avoiding the risk of an excessive trivialization or of a distorted reading of his work thanks to the rigorous visual vocabulary and the surprising ability to trigger a dialogue between artwork and public made of curiosity, exploration, reflection, fun and participation.

Text By by Marco Mancuso

The Nemesis Machine by Stanza

Stanza Artwork

The Nemesis Machine in Warsaw. Exhibition: Beyond the Seven curated by Piotr Krajewski.

November 3rd, 2017

Finally finished the lastest version The Nemesis Machine in Warsaw show opens weds night “Beyond the Seven”. Thanks to wro art center who curated moved and supported this. It’s on show then available for exhibitions. Uses live data from various sources and monitors London and Warsaw in realtime. The show is called “Beyond the Seven”. The artwork visualises life in the city on the basis of real time data transmitted from a network of wireless sensors. The artwork you see is a city of electronic components that reflect in real time what is happening elsewhere. Small screens show pictures of the visitors so that they become part of the city. Warszawie ‘za siedmioma’ – megalopolis w budowie / nemezis deweloperów ‘Za siedmioma’ at Dom S?owa Polskiego curated by Piotr Krajewski.

The Internet of Things World Forum (IoTWF)

May 25th, 2017

Stanza at The Internet of Things World Forum (IoTWF.  Stanza big data, Smart cities, IOT , internet of things , art, software Stanza at The Internet of Things World Forum (IoTWFStanza artwork on show at the The Internet of Things World Forum (IoTWF) is an exclusive industry event, hosted by Cisco. The IoTWF is widely recognized as the premier thought leadership forum designed to Evangelize and Energize IoT. Known as a must-attend event for key stakeholders and innovators in business, government, and academia, IoTWF brings industry leaders together to collaborate, network, partner, and solve the challenges facing IoT.

Previously held in Barcelona, Chicago, and Dubai, in 2017, IoTWF moves to London, Europe’s fastest growing technology capital. The 2017 IoTWF will explore the impact of IoT on business, technology and society and define a clear sense of the major priorities and challenges facing business as the world migrates towards IoT.

 Stanza big data, Smart cities, IOT , internet of things , art, software

Stanza big data, Smart cities, IOT , internet of things , art, software at the internet of Things World Forum thanks to Cisco Systems.

Stanza opens the Frequency Festival of Digital Culture festival hosted in the city of Lincoln.

November 4th, 2013

The Binary Graffiti Club by Stanza. Stanza opens the Frequency Festival of Digital Culture festival hosted in the city of Lincoln, with his participatory artwork The Binary Graffiti Club. On 18th October 2013 hooded youths in specially designed hoodies took to the streets of Lincoln. Moving around the city in groups The Binary Graffiti Club encoded the city with messages in binary code. The walls, pavements, and empty spaces were covered in over 101 unique and different artworks. An extension of the “flaneur” who wanders without aim The Binary Graffiti Club create new sense of urgency and agency as the city is reclaimed for cultural change.

The Binary Graffiti Club

The Binary Graffiti Club provides a platform to celebrate the pioneering spirit of digital innovation and culture through creative collision and socially engaged artistic practise. The Binary Graffiti Club inspires young people to see the city as canvas to create change. The artwork created represents the hopes and aspirations of young people set in various contexts.

The people have sense of agency—– people who can oppose systems—–free and uninhibited—– they are protective —– live in a melting pot of mixed social composition——– strong independent minds —— prepared to challenge. The participants are  engaged in this spirit of challenge, independence, and global connectivity and leverage this into a future vision.

A selection of artwork represents subliminal messages to reclaim the city and public space as a shared environment which places our youth at the focus of future development.

You can also Commission – The Binary Graffiti Club.

 Graffiti from the 101 Artworks made In The City of Lincoln

http://www.stanza.co.uk/binary_club/index.html

 

 

 

Three Upcoming Exhibitions By British artist Stanza

March 14th, 2013

Three Upcoming Exhibitions By British artist Stanza

FALMOUTH Tremough Campus, Penryn, Cornwall, TR10 9EZ

Exhibition dates: 13th – 24th May 2013

Presenting Two Works:

A World of New Possibilities

The Singing Trees of Tremough

Stanza

This is a real time singing tree made from data in the and around the tree in situ in real time.

The signing Tree is made using data collected from the environment  using loads of motes sensors I have customised. And a new suite of software V2 has been made that helps the tree sing. The tree becomes virtual, dynamic, and encoded. The artwork disloses the underlying data that we see thats is changing all the time in front of us.

I am making a custom made speakers system all wireless to run off solar power with back – up batteries for the new version of the Tree sonification which uses real time environmental data.

 

Wyspa Institute of Art and Alternativa International Visual Arts Festival. Gdansk, Poland
May 24 until October 16th.

Presenting:-
Urban Generation; trying to imagine the world from everyone else’s perspective, all at once.  Urban Generation explores the emotional state of the metropolis and considers a world of universal surveillance. The artwork collects live CCTV feeds from 300 cameras in London in real time and reworks these video streams into multi-layered visual structures. The channels are always on, and therefore, the work is always changing – it depicts a constant and evolving view of the urban landscape and its inhabitants. This hasnt been shown for a while and the software has been checked and now uses more than 300 cameras around the city in real time. Awesome. Realy looking forward to  my first exhbition in Poland.
http://www.stanza.co.uk/urban_tapestry/index.html

 

stanza_art_installation

 

 

 

 

 

 

 

 

 

 

 

 

WATERMANS. 40 High Street, Brentford, West London, TW8 0DS

Opens 31 st May Close show 26 th July

Presenting:- I am excited about showing this in London for the first time. A new version of. “A Life In The Emergent City” which captures the changes over time in the environment (city) and represents the changing life and complexity of space as an emergent artwork. Capacities goes beyond simple single user interaction to monitor and survey in real time the whole city and entirely represent the complexities of the real time city as a shifting morphing and complex system. This version is bigger better and promises to be a little bit different.

stanza_artist-007

 

 

 

 

 

 

 

 

 

 

 

 

 

What you see is a sculpture which represents the emergent properties of the environment where the sensor network is situated.

Also on show will be several other new hyrid “involvement”s which will be presented during the exhbition.

stanza artist capacities

 

 

 

 

 

 

 

 

 

 

http://www.stanza.co.uk/capacities/index.html

 

 

 

 

Stanza Metal Cities at Flux Jewellery School.

March 9th, 2013

Stanza has been hand making over one hundred hand crafted metal cities at Flux Jewellery School.

I have been attending this jewellery course where I am learning  some skills of the old analogue metal trade at Flux Studios Jewellery School. Its a great space with loads of courses. I  attended the intermediate course and they  let me get on with my own work.  So far I  have made one hundred individual hand made cities called The City Of Dreams . There is no digital process involved, each city is based on simple codes and rules. They are approx 12cm across.

These analogue cities are deliberately made to appear like they are made by some computational digital process.  Each is like a 3d drawing, the metal used is pewter.

Artist. Stanza. 100 Cities. Individual hand made artwork and no digital process is involved. Flux Jewellery School. Learn Jewellery.

At Flux Jewellery School  they  cater for levels and allow students to develop their skills into the set projects. The courses also explore new ways to work and design with metal. Check out and learn to make jewellery yourself  http://www.fluxstudios.org/courses/

Stanza city artwork

“Data as Culture” artwork made for the Open Data Institute (ODI).

November 30th, 2012

Stanza dtata artworkI have just been commissioned and unveiled my artwork  made for the  Open Data Institute (ODI), and curated by Julie Freeman .  The work  is part  of “Data as Culture”…. “As data becomes more accessible to artists, as it opens up for use as a raw material, we are seeing more of its integration into works that explore environmental socio-political and economic aspects of society.

By utilising data in an experiential way, this selection of works pulls data out of the virtual domain and into our physical world. The exhibition provokes discussion around what open data is, how it informs and affects us, and how we interpret it in a way that is meaningful.”

Body 01000010011011110110010001111001 (2012) By Stanza. Body is a sculpture which responds to the emergent properties of the environment in South London where the artist’s wireless sensor network is situated. It represents the changing life and complexity of urban space as a dynamic, kinetic artwork. Real-time environmental data is embodied in Stanza’s life-size sculpture assembled from computer components and acrylic slices of his own physique. In ‘Body 01000010011011110110010001111001’ the urban environment provides a dynamic flickering and clicking sentience to the otherwise inert structure, reflecting the personal level of influence data has on an individual.

also see

www.stanza.co.uk/body/index.html

 

 

 

 

 

 

 

 

 

 

 

 

 

British artist Stanza wins SHARE PRIZE 2012 in Torino for Capacities. A piece of work using real time data of the city.

November 1st, 2012
The British artist Stanza  wins SHARE PRIZE 2012 in Torino for Capacities. A piece of work using real time data of the city. This artwork captures the changes over time in the environment (city) and represents the changing life and complexity of space as an emergent artwork. Its an artwork about the internet of things, smart cities and connecting spaces.
British artist Stanza In Italy

Jury Statement

What is the role of art today, in this moment of social transition towards the city of the future? It was from this perspective that the artists interpreted the theme Open Your City, exploring the key concepts word by word. The short-list of the Jury reflects the reappearing artistic interpretation of the modern urban landscape as system, where the solid element is replaced by the message, the information and the database, a real, but dematerialized city. Artists have been short-listed by an international jury, consisting of Simona Lodi, Carlo Ratti, Bruce Sterling and Mirjam Struppek, on the basis of the artistic value of their work and its relevance to the Share Prize theme.

Capacities: Real Time Complex – Connected Cities by British artist Stanza is an installation dedicated to the complexity of life in an environment. Changes in each of the spaces are monitored in real time, as they give rise to constant tensions, highlighting the behaviour of complex systems and the emergent properties that appear. In this case the organism is the city and not the single individual; it is the entire urban habitat as a whole, revealing its nature as a multifaceted system. The installation is the real-time mirror image of everything that changes, gathering huge amounts of data that are transformed aesthetically into a physical copy of the city, made up of cables, lights and sensors that represent shifts in environmental parameters measured numerically. The obsessive focus is on the observation of environmental data by gathering measurement on temperature, light, atmospheric pressure, noise and the sounds of the city outside the museum. Gathering digital data on the environment has become an art, and art has become a data set rather than a collection of molecules. The short-list of the Jury reflects the reappearing artistic interpretation of the modern urban landscape as system, where the solid element is replaced by the message, theinformation and the database, a real, but dematerialized city.

Le parole OPEN YOUR CITY sono la traccia tematica che ha guidato la mostra di Share Prize. Il premio ha come obiettivo scoprire, promuovere e sostenere le arti in epoca digitale. La selezione delle opere finaliste della mostra è dedicata agli artisti che interpretano l’innovazione come linguaggio di espressione artistica, in ogni modo e forma. Una giuria internazionale composta da Simona Lodi, Carlo Ratti, Bruce Sterling e Mirjam Struppek hanno scelto gli artisti in base all’aderenza al tema e al valore estetico dell’opera.

Dichiarazione della giuria

Quale è il ruolo dell’arte, in questo momento di transizione sociale verso la città del futuro? In quest’ottica gli artisti hanno interpretato il tema Open Your City, sviscerando le parole chiave. La short-list della giuria riflette l’interpretazione del riapparire artistico del paesaggio urbano moderno come sistema, dove l’elemento solido è sostituito dal messaggio, dalle informazioni e dai database, una città reale ma smaterializzata.

Capacities: Real Time Complex – Connected Cities dell’artista inglese Stanza dedica la sua installazione alla complessità della vita in determinato ambiente. Ogni ambiente è sottoposto a cambiamenti continui che sono monitorati in tempo reale. I cambiamenti portano continua tensione e stressano il concetto di linearità ed evidenziano le emergenze che compaiono. In questo caso l’organismo è la città e non il singolo cittadino ma l’intero complesso urbano, tracciandone il profilo come sistema multiforme. L’installazione è lo specchio in real-time di ciò che si modifica, raccogliendo grosse quantità di dati trasformati esteticamente in una copia della città ma fatta di cavi, luci e sensori che esprimono il passaggio degli elementi ambientali raccolti in forma numerica. L’attenzione insistente è osservare i dati ambientali raccogliendo la temperatura, la luce, la pressione atmosferica, il rumore, e il suono della città fuori dal museo. Raccogliere elementi numerici che riguardano l’ambiente è diventata un’arte e l’arte e’ diventata un insieme di dati piuttosto che un insieme di molecole.

http://www.stanza.co.uk/capacities/index.html

 

 

Stanza exhibits city wide data installation Verenigd Koninkrijk, Capacities. Update_4. Gent.

September 24th, 2012

Welkom op de website van de New Technological Art Award 2012, een internationale kunstwedstrijd van de Stichting Liedts-Meesen die deel uitmaakt van onze biënnale Update. Kom kijken naar het werk van de genomineerden van 22 september tot en met 18 november 2012.

Stanza, Verenigd Koninkrijk, Capacities

Locaties:
Zebrastraat – Zebrastraat 32/001 – 9000 Gent – Belgium – www.zebrastraat.be

New Technological Art Award 2012, een internationale kunstwedstrijd van de Stichting Liedts-Meesen In 2012 organiseert de Stichting Liedts-Meesen Update_4 in het kader van het project Zebrastraat en in navolging van de eerste drie Update-biënnales.

In Update_4 wordt de filosofie van de vorige edities behouden maar leggen we nieuwe accenten. In het verleden gingen de tentoonstellingen gepaard met de New Technological Art Award Liedts-Meesen die meer en meer op de belangstelling van de kunstenaars en het publiek kon rekenen. Onze focus ligt nu op de presentatie van deelnemers van de wedstrijd NTAA en bestaat uit:

-een grotere bijdrage van nieuwe technologieën in de kunst
-een verhoging van het aantal genomineerden van 10 naar 20
-een presentatie van één naar drie locaties in België : de Zebrastraat in Gent, La Cambre en iMAL in Brussel

Uit de meer dan 300 inzendingen waarvan 20 kunstwerken geselecteerd werden, vallen een aantal typerende thema’s te traceren. Ondanks het feit dat onze dagelijkse perceptie in een grote mate gedomineerd wordt door virtuele werelden en onder invloed staat van de eigentijdse technologie, kunnen verschillende werken onder het landschappelijk genre gecategoriseerd worden. Opvallend is evenwel de verwerking van diverse parameters die het kunstwerk via een technische transfer veranderlijk en de beleving ervan multisensorisch maakt. Mapping betekent in deze context niet zozeer een cartografische variant, maar includeert eveneens het flaneren, cruisen of dwalen. In een gegeven geografie vertaalt zich dit vaak in een (mechanische) choreografie waarin parameters als licht en geluid expressief gemanipuleerd worden. De luciditeit in een aantal werken kent een tegengewicht in de reflectie over eindigheid, dood en in een enkel geval opent dit zich cynisch en hyperbolisch tot het contemporaine euthanasiedebat. Items als identiteit en communicatie vormen een belangrijk inhoudelijk substraat waarin gegevens als sociale netwerken, privacy, hacking, spam verwerkt worden. De interactiviteit bij vele inzendingen doet een beroep op een actieve toeschouwer die zich vaak geconfronteerd ziet met keuzemogelijkheden of beslissingen die men dient te nemen.

Stanza artwork Capacities

 

Touch screen artwork exhibition In Madrid 2012. The VIDA retrospective,

May 31st, 2012

The installation called  The Central City has 15 touch screens built in towers blocks which are all interactive. On the floor is a generative map of the city of Madrid.

Stanza The Central City Installation

ARTE Y VIDA ARTIFICIAL – VIDA 1999-2012

El concurso de Arte y Vida Artificial VIDA fue creado por Fundación Telefónica en 1999 para promover la creación artística basada en las nuevas tecnologías y se ha convertido en uno de los premios artísticos de mayor prestigio en el encuentro entre el arte, la ciencia y la tecnología.

A lo largo de sus trece ediciones VIDA ha premiado obras artísticas desarrolladas con tecnologías de vida artificial y sus disciplinas asociadas como la robótica, la inteligencia artificial, los algoritmos caóticos, los virus informáticos, la biotecnología, los entornos virtuales o la escultura sonora y se han presentado 1.478 proyectos procedentes de más de 50 países.

La presente propuesta expositiva, comisariada por KarIn Ohlenschläger, deja patente la evolución del concepto de vida artificial en relación al arte y la existencia de distintos modos de indagar y afrontar el diálogo entre arte y nuevas tecnologías.Algunas de las 23 obras expuestas simulan la evolución y los comportamientos de los sistemas vivos en soportes digitales y animan materiales inertes. En otras, se acometen de manera decidida la manipulación y transformación de la materia viva. Con ello los artistas nos hacen partícipes de la reflexión sobre qué es la vida.

La exposición también permite explorar la convivencia entre distintas especies naturales y artificiales, entre lo físico y lo virtual, entre lo orgánico y lo tecnológico. Estas experiencias aproximan la vida artificial a nuestro entorno cotidiano.

Stanza The Central City Installation

Se muestran obras que afrontan los valores éticos y simbólicos del avance de diversas ramas de las ciencias y crean conexiones entre el arte, la ciencia y la conciencia social, política, económica y cultural.

El recorrido por la exposición se articula en cinco secciones que nos llevan desde la escala nanométrica del ADN hasta la dimensión planetaria de la vida : El código de la vida ); Robótica: orden e insumisión;, Sistemas simbióticos; la vida es comunicación y Membranas sensibles.Here are some images from the recent exhibition in Madrid for Vida. The installation called  The Central City has 15 touch screens built in towers blocks which are all interactive.  On the floor is a generative map of the city of Madrid.

Stanza has exhibition of artwork In Madrid 2012, The VIDA retrospective,

Stanza artwork installation The Central City in Madrid May 2012

May 1st, 2012

The Central City gets dusted down by Stanza  for Vida Retrospective in Madrid from May 8th for six months. Hundreds of sections of this art labyrinth will be exhibited on 15 touch screens built into towers blocks as a large scale interactive installation (see below). Stanza will be showing all the Central City projects and sub projects. It’s a labyrinth, a “city” of interactive artworks themed around the life of the city and using patterns maps and city data.

Stanza Installation The Central City

Stanza Installation The Central City (Set up in Progress)

Stanza Installation The Central City

Stanza Installation The Central City (Set up in Progress)

Artworks using data and the artists DNA sequence. By Stanza

February 22nd, 2012

Genomixer DNA artworks By Stanza

Artworks using the atists DNA

stanza_dna_lifeforms

 

 

 

 

 

 

 

 

 

 

 

 

Genomixer ….a database of dna code. A completely new online experience.

A series of online artworks inspired by the human genome sequence and developed from dna profile which are sequenced from the artists blood. The online artworks are investigations into genetic codes mapped and re assembled online. The artwork series enables a cross reference all the code on the genome sequence allowing you to intermix or breed your own variable of me; you can look at the new mix of chromosomes in real time; on line.

 

To make these works my dna was sampled to make metaphases, g-banding and full profiles of chromosomes. Samples of my dna currently resides in my freezer ready for cloning. Works are enabled by dna code extracted from my blood. The sounds and images of code make audio visual self portrait versions.

Artworks using the atists DNA

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

stanza dna metaphase painting 2002

stanza dna metaphase painting 2002

It seems likely with the advent of self dna tests the emergence of this type of DNA test will be prolific. This data can be recorded into the genomixer database and saved. That is, each independent user will have there own personal online audio visual experience based on there unique genetic code and becuase they have the option to save it this means they can also see and listen to other users results. In other words this is a giant open source audio visual labyrinth and database. The system uses a generative audio system that can play interactive non linear audio over the net. The sounds are mapped to the genetic codes. Genomixer is a complete audio visual online generative system. Code representing code generated by code made from blood.

Genomixer ….a database of dna code.

The City Re-imagined. Residency at FACT Liverpool. 2010

March 11th, 2011

A series of artworks centered in Liverpool by Stanza from a residency at FACT. These artworks are about the city and how we react to the changing space around us. They are focused on our relationship to urban space and how by incorporating live data and CCTV images, different representations of Liverpool and as a living breathing entity can emerge. The works are provocations that relate to our hopes and aspirations for the spaces around us.

In these artworks I set out to explore public domain space in innovative ways following on from my first Ropewalks Square proposal to FACT(http://www.stanza.co.uk/portal/) and to make artworks exploring the use of live data CCTV in public space. The works are located between art, urbanism, and surveillance culture and they focus on the ethics and ownership of public spaces and how they are used.  The work includes ten interventions and artworks which  are all online (see below). I have tried to create narratives that demonstrate innovation and ethics of space and in several projects used an audience or local people to be involved in the works.

Included in the body of artwork are sensors that monitors spaces for environmental change. Another artwork proposes to extend the building at FACT virtually by projecting CCTV into Ropewalks Square and across the city. Another is a spy frog that talks, and a series of new public squares have been made across the city with minimal aesthetic were one can go to contemplate just what is going on.

These projects like are like seeds. They have been planted and now they need watering.

I hope you enjoy the work.

Public Domain: Series III.

Stanza Artwork Live CCTV

Live CCTV across the city. Continuing the series of investigations into the uses of CCTV to extend space and invoke impressions of transparency with architectural space. Here to extend the architecture of the building and extend it into the city. The artwork includes the performative aspect of those being watched as can be displayed inside the work. http://www.stanza.co.uk/CCTV_publicdomain/index.html

We have nothing to hide only to loose.

 

Stanza Artwork

A performative piece using CCTV systems. The CCTV follows the artist around the building in the depths of the night and the result is projected outside in the city. http://www.stanza.co.uk/CCTV_performance/index.htm

Regeneration Squares.

 

Stanza Artwork

http://www.stanza.co.uk/stanza_regeneration/index.html

Re-animating and remapping the city. This project involves making new public squares in the city to make a regeneration of the city. Here area selection of these new squares in Liverpool. In addition I invite the public to find these squares and present situations to intervene and to regenerate these new public spaces.

Fortuna.

Stanza Artwork

Stanza Artwork

http://www.stanza.co.uk/sisyphus/index.html

This is an online artwork using images from across the city, representing the struggle for change. The street was known as the Bond Street of the North, it was in the past a toll road. The working classes would go to work under the road in tunnels and enter via back doors of the expensive shops; never to be seen by the rich, thus kept separate. The city has a new “Bond Street” the L1 area. It is a cathedral of commerce separate from the issues that exist everywhere else in the city.

Binary Graffiti Club.

 

Stanza Artwork

http://www.stanza.co.uk/binary_club/index.html

Inspiring young people to see the city as canvas to create change. This is a selection of images that represents the hopes and aspirations of young people set in various contexts in especially made binary hoodies.

Data data data

 

stanza Artwork. Live sensor data. 2010

http://www.stanza.co.uk/data/index.html

A live projection of environmental changes. Sensors scattered over the building respond to changes in space in real time. They are turned into an event space projected into ropewalks square. This artwork is networked, its real time, and its takes data from a wireless sensor network that is placed in the real space.

Mental Memes.

 

Stanza Artwork.  2010

http://www.stanza.co.uk/mental_memes/index.html

The idea is to create a visual regeneration with the mind. I want to use space and time at a football match for an artistic intervention. The idea is to see the mind as a public domain space for this intervention; and to make an artwork using this space.  This project is about giving some time back to a collective entity, a visualisation for a common good to empower the space around us. In this case the city. It might be a simple mind map or it could be a complex linking of all the heartbeats of the audience.

Soundcities

 

Stanza Artwork.  2010

http://www.stanza.co.uk/soundcities_liverpool/index.html

From the first UK soundmap project, here are 200 sounds from all over Liverpool, Gathering assets for mediated visualisations across Liverpool. (http://www.soundcities.com/)

an online artwork using images from across the city, representing the struggle for change.

Spy

 

Stanza Artwork.  2010

http://www.stanza.co.uk/frogs/index.html

Robotic sculpture frogs see people and tell them what to do. The programmed frogs can talk and as you walk passed them they tell you what they think.

In God We Trust.

 

Stanza Artwork.  2010

http://www.stanza.co.uk/ingodwetrust/index.html

The idea was to collect data in the house of god to monitors His presence. Sensing God with environmental monitors. The data is turned into sounds and visuals. ie a sonification of God space and a visualization thus questioning our belief systems.

Portal.

http://www.stanza.co.uk/ropewalks%20square/index.html

A proposal to cover Ropewalks and to create a unique arcade. Moving away from old metaphors of Liverpool’s imperial history, to create a newer global image, digital and creative, a vibrant risk taking culture that is  independent, free thinking and global.

All artwork Stanza. 2010

THE ARTISTS STUDIO AS LABORATORY

August 2nd, 2010

THE ARTISTS STUDIO AS LABORATORY FOR THE FUTURE: “TRANSPARENCY”

I am developing the idea of studio as laboratory and extending previous versions by inviting members of the public to be involved in the process and the experiments. The studio will also have live CCTV broadcast and live data feeds.

Artists are like scientists they ask questions and find answers in peculiar ways….guided by research and process development.  Most artists, like scientists do stuff, they make things to question the world. They often speculate, researching difficult issues in a general direction in the way they see it with specific outcomes, these outcomes may or may not be art.

From the real to virtual and back to the real is a theme that has had my attention for five years and the idea is embedded in the works I am currently making.

stanza_i_am _stanza

Image: Stanza installation:- “Visitors To A Gallery” 2008. CCTV artwork.

This project will take place in the Barn at Lanternhouse, as Stanza creates data scapes in an Open Studio.  The residency is about exploring the artistic process, being transparent about the process and the development and production of new work.

The “open studio” mirrors the process of the project, with material and philosophical process being available to witness throughout.

stanza_visitors

Image: Stanza installation:- “Visitors To A Gallery” 2008. Installation on Floor.

This work (the studio as lab) is now in version three for my residency in Lanternhouse International (UK) called City of Dreams.

Three works to be developed during this City of Dreams residency: Info Below

  • Sonicity
  • Capacities
  • Open Studio: Transparency

http://www.stanza.co.uk/laboratory/index.html

Stanza generative coded wall.

March 4th, 2010
Brent Wall Projection example copy

Image: Stanza Wall Projection 2009

This artwork is inspired by the idea of an emergent data city. As we walk about, the patterns we make via phones, and gps systems, leave traces and memories of the places we have visited. This artwork tries to re-create those patterns as abstracted movements captured over time. The end result, the output are ‘maps’. “Codefied” creates patterned maps actioned by the interpretation of the code.

In the next version live networked data from GPS and 3g networks will create a live realtime accurate system of where we all are in the world at any one time. (screen size needed 1024 by 768) . In development it uses eleven people in real time to track through the city. Update march 2009.  I now have developed the GPS system fopr 15 people that tracks them all through the city and a preformance based piece is in development; an audio visual sonification and visualisation tracing / tracking the event in real time.

Brent Wall Projection example

Image: Stanza Wall Projection 2009

artwork by stanza….building as art…

http://www.stanza.co.uk/nanocities/index.html

“Visitors to a Gallery”- Exhibition. Plymouth Arts Centre.

March 4th, 2010
stanza_i_am _stanza

Image: Stanza. Title "Visitors To A Gallery" - 2007

This artwork uses the live CCTV system inside an art gallery to create a responsive mediated architecture.  This project continues where Publicity version one (2004) left off, ie hacking or utitlizing existing real time CCTV networks.

This version is made inside the Plymouth arts centre where I was artist in residence for a month (feb 2008).

Custom made electronics and sonar sensors are placed to create an installation in the gallery space. Visitors to the main upper gallery control the CCTV feeds by their own movement in the space. The piece becomes a semi performative controlled system. The proximity to the main ultrasound sensors affects the aesthetic of the image.

STN003-fishdown

Image: Stanza. Title "Visitors To A Gallery" - 2007