Archive for the ‘code’ Category

The Nemesis Machine in Warsaw. Exhibition: Beyond the Seven curated by Piotr Krajewski.

November 3rd, 2017

Finally finished the lastest version The Nemesis Machine in Warsaw show opens weds night “Beyond the Seven”. Thanks to wro art center who curated moved and supported this. It’s on show then available for exhibitions. Uses live data from various sources and monitors London and Warsaw in realtime. The show is called “Beyond the Seven”. The artwork visualises life in the city on the basis of real time data transmitted from a network of wireless sensors. The artwork you see is a city of electronic components that reflect in real time what is happening elsewhere. Small screens show pictures of the visitors so that they become part of the city. Warszawie ‘za siedmioma’ – megalopolis w budowie / nemezis deweloperów ‘Za siedmioma’ at Dom S?owa Polskiego curated by Piotr Krajewski.

Our Friends Electric at QUAD Gallery Derby

June 29th, 2017

    

Lost In Translation is being exhibited at Quad In Derby as part of series of works connected with robotic and artistic practise.  In the installation a custom made robot that responds to a series of texts and makes drawings unique to each reader. Readers are invited to step up to the lectern and read into a microphone from a specially made book called Lost In Translation. The book consists of passages from The Bible , The Torah, The Quran and a take away menu. The text and voice are interpreted via software and a robot is set into action on a custom made plinth to interpret what it all means. The robot interprets the text and the voice to creates a painting on canvas of the results. The work questions not only the meaning and interpretation of text but just who controls our understanding of the outputs and indeed what is Lost In Translation.

This is a very playful user friendly work and actively engages the audience not only to think about the text but the meaning of how automation and networked technology is changing the control of understanding.

Lost In Translation

Stanza Robot Art AI and control

The Internet of Things World Forum (IoTWF)

May 25th, 2017

Stanza at The Internet of Things World Forum (IoTWF.  Stanza big data, Smart cities, IOT , internet of things , art, software Stanza at The Internet of Things World Forum (IoTWFStanza artwork on show at the The Internet of Things World Forum (IoTWF) is an exclusive industry event, hosted by Cisco. The IoTWF is widely recognized as the premier thought leadership forum designed to Evangelize and Energize IoT. Known as a must-attend event for key stakeholders and innovators in business, government, and academia, IoTWF brings industry leaders together to collaborate, network, partner, and solve the challenges facing IoT.

Previously held in Barcelona, Chicago, and Dubai, in 2017, IoTWF moves to London, Europe’s fastest growing technology capital. The 2017 IoTWF will explore the impact of IoT on business, technology and society and define a clear sense of the major priorities and challenges facing business as the world migrates towards IoT.

 Stanza big data, Smart cities, IOT , internet of things , art, software

Stanza big data, Smart cities, IOT , internet of things , art, software at the internet of Things World Forum thanks to Cisco Systems.

Dundee Contemporary Arts NEon 2016

November 13th, 2016

The artwork reforms this information and data creating parallel realities. At the heart of this work lies an interest in the urban environment, the networks of cameras and sensors to be found there, and the associated issue of privacy and alienation. The work sits in the middle of concepts for smart cities, The Internet of Things( IOT) and the new technologies that monitors the real time environment. In appearance, the Nemesis Machine is like Big Brother parsed through the lens of the Internet of things. It gives visitors a bird’s eye view of a cybernetic cityscape, where skyscrapers are constructed of silicon and circuit boards.

stanza_neon 284-web The Nemesis Machine stanza_neon-299-web

The Nemesis Machine

 

New Commission For Wolverhampton Art Gallery using networked cameras feeds

September 22nd, 2014

Title: Parallel Realities: Entropy Through Black Matter: By Stanza 2014. Commissioned by Wolverhampton Art Gallery to celebrate the Black Country Echoes Festival.

The artwork creates what the artist Stanza calls a “Parallel Reality”, merging multiple experience of the same place into one fused experience. What you see and experience is a constantly changing, ongoing series of images moving forward in time. The artwork creates what the artist Stanza calls a “Parallel Reality”, merging multiple experience of the same place into one fused experience.http://stanza.co.uk/blackcountry/index.html

Parallel Realities: Entropy Through Black Matter: By Stanza 2014.

 

 

 

New Commission At Winchester Science Centre using transport data and surveillance cameras

August 22nd, 2014

The artwork “The Agency At The End Of Civilisation” is a real time interpretation of the data of the Internet of Cars project using the UK car number plate recognition system aligned with real time images from one hundred CCTV cameras in the region of South of England. The installation presents all this as a spatialised audio experience of spoken texts and generative visuals. The audience engages with the work as observer (of the surveillance and recorded space) looking at 24 screens, a dozen speakers, and a labyrinth of CCTV cameras built as an art installation presented on a plinth. http://stanza.co.uk/agency/index.

The Agency At The End Of Civilisation. By Stanza

The Agency At The End Of Civilisation. By Stanza

New Commission – Software system manipulates the real time transport data in London

May 6th, 2014
Syncronicity: Layers of Infinite Possibilities In A World Of Closing Borders

Syncronicity: Layers of Infinite Possibilities In A World Of Closing Borders

Syncronicity: Layers of Infinite Possibilities In A World Of Closing Borders.” manipulates the real time transport data to re-interpret the city fabric as an organic pattern based system. Synchronicity becomes a hybridized maze, a cellular and organic system which is presented to the screen. The artwork uses real time bus and tube data from real time transport data London. 3d portrait of Stanza  inside live London data.How will big data empower the system and does this added value allow more freedom or does it seek a more subversive form of control?

http://stanza.co.uk/sycronicity1/index.htm

stanza_body2stanza_data1

Syncronicity: Layers of Infinite Possibilities In A World Of Closing Borders

Syncronicity: Layers of Infinite Possibilities In A World Of Closing Borders

Stanza opens the Frequency Festival of Digital Culture festival hosted in the city of Lincoln.

November 4th, 2013

The Binary Graffiti Club by Stanza. Stanza opens the Frequency Festival of Digital Culture festival hosted in the city of Lincoln, with his participatory artwork The Binary Graffiti Club. On 18th October 2013 hooded youths in specially designed hoodies took to the streets of Lincoln. Moving around the city in groups The Binary Graffiti Club encoded the city with messages in binary code. The walls, pavements, and empty spaces were covered in over 101 unique and different artworks. An extension of the “flaneur” who wanders without aim The Binary Graffiti Club create new sense of urgency and agency as the city is reclaimed for cultural change.

The Binary Graffiti Club

The Binary Graffiti Club provides a platform to celebrate the pioneering spirit of digital innovation and culture through creative collision and socially engaged artistic practise. The Binary Graffiti Club inspires young people to see the city as canvas to create change. The artwork created represents the hopes and aspirations of young people set in various contexts.

The people have sense of agency—– people who can oppose systems—–free and uninhibited—– they are protective —– live in a melting pot of mixed social composition——– strong independent minds —— prepared to challenge. The participants are  engaged in this spirit of challenge, independence, and global connectivity and leverage this into a future vision.

A selection of artwork represents subliminal messages to reclaim the city and public space as a shared environment which places our youth at the focus of future development.

You can also Commission – The Binary Graffiti Club.

 Graffiti from the 101 Artworks made In The City of Lincoln

http://www.stanza.co.uk/binary_club/index.html

 

 

 

The London Based artist Stanza will be giving the keynote at Calculative Devices in the Digital Age Durham University

August 8th, 2013

The London Based artist Stanza will be giving the keynote at Calculative Devices in the Digital Age Durham University

Stanza_body1

Conference Durham University, 21-22 November 2013

Others Keynote Speakers Professor Pat O’Malley (Sydney), Professor Marieke de Goede (Amsterdam) & Professor Rita Raley (UCSB).

Calculative Devices in the Digital Age Durham University

The conference will be oriented to the following key themes:

•Data and calculation  – algorithms and algorithmic logics

•Associative life – ‘real’ and digital identities and social relations

•Data, analytics and decision-making – applications, interfaces, protocols

•Calculating futures – uncertainty, prediction and potentiality

The Securing against Future Events project is organizing a two day conference on the forms and techniques of calculation that emerge with digital computation.

How does the drive to make sense of, and productively use, large amounts of diverse data, inform the development of new calculative devices, logics and techniques?

How do these devices, logics and techniques – from neural networks to decision trees, from Monte Carlo method to traversal algorithms, from text analytics to data visualisation – affect our capacity to decide and act?

In a world of changing data landscapes, how do mundane elements of our physical and virtual existence become data to be analysed and rearranged in complex ensembles of people and things? In what ways are conventional notions of public and private, individual and population, certainty and probability, rule and exception transformed and what are the consequences of these transformations?

How does the search for ‘hidden’ connections and patterns using association rules, correlation rules or link analysis, change our understanding of social relations and associative life?

Do contemporary modes of calculation, based on constant incorporation of heterogeneous elements, produce new thresholds of calculability and computability, allowing for the improbable or the merely possible to be embraced and acted upon?

As contemporary approaches to governing uncertain futures seek to anticipate the yet unknown event – in domains as diverse as marketing and insurance, emergency preparedness and counter-terrorism – how are calculation and decision engaged anew?

http://www.dur.ac.uk/geography/news/futureevents/?eventno=16518

stanza-473

The British artist Stanza is keynote and chair at the Fascinate Conference Pervasive Media.

August 8th, 2013

The British artist Stanza is keynote and chair at the Fascinate Conference Pervasive Media. Stanza will be talking about networked connected space, big data, his work.

FASCINATE is an interdisciplinary conference investigating the current and future applications of ubiquitous computing technologies in visual and performance arts, architecture, craft, design and interactive media.

FASCINATE will explore technology, design and experience related to ubiquitous computing. Areas of interest include: ambient intelligence; experience design; cognitive environments; augmented performance; pervasive media and the internet of things.
FASCINATE will offer participants the opportunity to present and discuss their work, inspire and be inspired by the work of others across a range of fields of practice; build on the experience of keynote speakers and establish new and eclectic collaborations.
Stanza Portrait 2012

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

http://www.fascinateconference.com/info/

FASCINATE 2013 : 28-30 August : Falmouth University – Cornwall – England

FASCINATE is an interdisciplinary conference investigating the current and future applications of ubiquitous computing technologies in visual and performance arts, architecture, craft, design and interactive media.

FASCINATE will explore technology, design and experience related to ubiquitous computing. Areas of interest include: ambient intelligence; experience design; cognitive environments; augmented performance; pervasive media and the internet of things.

http://www.fascinateconference.com/presenters/stanza/

Other keynotes from Atau Tanaka Ruairi Glynn Seth Honnor

stanza_may-183

Stanza returns to Goldsmiths college to give a presentation; From Complexity to The City of Bits.

July 28th, 2013

Stanza returns to Goldsmiths college to give a presentation at The Thursday Club.

The last ever presentation at the infamous Thurdsay Club run by Janis Jefferies

The Thursday Club is an open forum discussion group for anyone interested in the theories and practices of cross-disciplinarity, interactivity, technologies and philosophies of the state-of-the-art in today’s (and tomorrow’s) cultural landscape(s).

Art made By Stanza Parallel Reality

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

25 July 2013- The Emergent City. From Complexity to The City of Bits. Stanza

 

Goldsmiths
Ben Pimlott lecture theatre
6pm on Thursday 25th July 2013

http://doc.gold.ac.uk/thethursdayclub/?p=481

Stanza Portrait of The Artist

Portrait Of Stanza 2012

Three Upcoming Exhibitions By British artist Stanza

March 14th, 2013

Three Upcoming Exhibitions By British artist Stanza

FALMOUTH Tremough Campus, Penryn, Cornwall, TR10 9EZ

Exhibition dates: 13th – 24th May 2013

Presenting Two Works:

A World of New Possibilities

The Singing Trees of Tremough

Stanza

This is a real time singing tree made from data in the and around the tree in situ in real time.

The signing Tree is made using data collected from the environment  using loads of motes sensors I have customised. And a new suite of software V2 has been made that helps the tree sing. The tree becomes virtual, dynamic, and encoded. The artwork disloses the underlying data that we see thats is changing all the time in front of us.

I am making a custom made speakers system all wireless to run off solar power with back – up batteries for the new version of the Tree sonification which uses real time environmental data.

 

Wyspa Institute of Art and Alternativa International Visual Arts Festival. Gdansk, Poland
May 24 until October 16th.

Presenting:-
Urban Generation; trying to imagine the world from everyone else’s perspective, all at once.  Urban Generation explores the emotional state of the metropolis and considers a world of universal surveillance. The artwork collects live CCTV feeds from 300 cameras in London in real time and reworks these video streams into multi-layered visual structures. The channels are always on, and therefore, the work is always changing – it depicts a constant and evolving view of the urban landscape and its inhabitants. This hasnt been shown for a while and the software has been checked and now uses more than 300 cameras around the city in real time. Awesome. Realy looking forward to  my first exhbition in Poland.
http://www.stanza.co.uk/urban_tapestry/index.html

 

stanza_art_installation

 

 

 

 

 

 

 

 

 

 

 

 

WATERMANS. 40 High Street, Brentford, West London, TW8 0DS

Opens 31 st May Close show 26 th July

Presenting:- I am excited about showing this in London for the first time. A new version of. “A Life In The Emergent City” which captures the changes over time in the environment (city) and represents the changing life and complexity of space as an emergent artwork. Capacities goes beyond simple single user interaction to monitor and survey in real time the whole city and entirely represent the complexities of the real time city as a shifting morphing and complex system. This version is bigger better and promises to be a little bit different.

stanza_artist-007

 

 

 

 

 

 

 

 

 

 

 

 

 

What you see is a sculpture which represents the emergent properties of the environment where the sensor network is situated.

Also on show will be several other new hyrid “involvement”s which will be presented during the exhbition.

stanza artist capacities

 

 

 

 

 

 

 

 

 

 

http://www.stanza.co.uk/capacities/index.html

 

 

 

 

Stanza Metal Cities at Flux Jewellery School.

March 9th, 2013

Stanza has been hand making over one hundred hand crafted metal cities at Flux Jewellery School.

I have been attending this jewellery course where I am learning  some skills of the old analogue metal trade at Flux Studios Jewellery School. Its a great space with loads of courses. I  attended the intermediate course and they  let me get on with my own work.  So far I  have made one hundred individual hand made cities called The City Of Dreams . There is no digital process involved, each city is based on simple codes and rules. They are approx 12cm across.

These analogue cities are deliberately made to appear like they are made by some computational digital process.  Each is like a 3d drawing, the metal used is pewter.

Artist. Stanza. 100 Cities. Individual hand made artwork and no digital process is involved. Flux Jewellery School. Learn Jewellery.

At Flux Jewellery School  they  cater for levels and allow students to develop their skills into the set projects. The courses also explore new ways to work and design with metal. Check out and learn to make jewellery yourself  http://www.fluxstudios.org/courses/

Stanza city artwork

“Data as Culture” artwork made for the Open Data Institute (ODI).

November 30th, 2012

Stanza dtata artworkI have just been commissioned and unveiled my artwork  made for the  Open Data Institute (ODI), and curated by Julie Freeman .  The work  is part  of “Data as Culture”…. “As data becomes more accessible to artists, as it opens up for use as a raw material, we are seeing more of its integration into works that explore environmental socio-political and economic aspects of society.

By utilising data in an experiential way, this selection of works pulls data out of the virtual domain and into our physical world. The exhibition provokes discussion around what open data is, how it informs and affects us, and how we interpret it in a way that is meaningful.”

Body 01000010011011110110010001111001 (2012) By Stanza. Body is a sculpture which responds to the emergent properties of the environment in South London where the artist’s wireless sensor network is situated. It represents the changing life and complexity of urban space as a dynamic, kinetic artwork. Real-time environmental data is embodied in Stanza’s life-size sculpture assembled from computer components and acrylic slices of his own physique. In ‘Body 01000010011011110110010001111001’ the urban environment provides a dynamic flickering and clicking sentience to the otherwise inert structure, reflecting the personal level of influence data has on an individual.

also see

www.stanza.co.uk/body/index.html

 

 

 

 

 

 

 

 

 

 

 

 

 

British artist Stanza wins SHARE PRIZE 2012 in Torino for Capacities. A piece of work using real time data of the city.

November 1st, 2012
The British artist Stanza  wins SHARE PRIZE 2012 in Torino for Capacities. A piece of work using real time data of the city. This artwork captures the changes over time in the environment (city) and represents the changing life and complexity of space as an emergent artwork. Its an artwork about the internet of things, smart cities and connecting spaces.
British artist Stanza In Italy

Jury Statement

What is the role of art today, in this moment of social transition towards the city of the future? It was from this perspective that the artists interpreted the theme Open Your City, exploring the key concepts word by word. The short-list of the Jury reflects the reappearing artistic interpretation of the modern urban landscape as system, where the solid element is replaced by the message, the information and the database, a real, but dematerialized city. Artists have been short-listed by an international jury, consisting of Simona Lodi, Carlo Ratti, Bruce Sterling and Mirjam Struppek, on the basis of the artistic value of their work and its relevance to the Share Prize theme.

Capacities: Real Time Complex – Connected Cities by British artist Stanza is an installation dedicated to the complexity of life in an environment. Changes in each of the spaces are monitored in real time, as they give rise to constant tensions, highlighting the behaviour of complex systems and the emergent properties that appear. In this case the organism is the city and not the single individual; it is the entire urban habitat as a whole, revealing its nature as a multifaceted system. The installation is the real-time mirror image of everything that changes, gathering huge amounts of data that are transformed aesthetically into a physical copy of the city, made up of cables, lights and sensors that represent shifts in environmental parameters measured numerically. The obsessive focus is on the observation of environmental data by gathering measurement on temperature, light, atmospheric pressure, noise and the sounds of the city outside the museum. Gathering digital data on the environment has become an art, and art has become a data set rather than a collection of molecules. The short-list of the Jury reflects the reappearing artistic interpretation of the modern urban landscape as system, where the solid element is replaced by the message, theinformation and the database, a real, but dematerialized city.

Le parole OPEN YOUR CITY sono la traccia tematica che ha guidato la mostra di Share Prize. Il premio ha come obiettivo scoprire, promuovere e sostenere le arti in epoca digitale. La selezione delle opere finaliste della mostra è dedicata agli artisti che interpretano l’innovazione come linguaggio di espressione artistica, in ogni modo e forma. Una giuria internazionale composta da Simona Lodi, Carlo Ratti, Bruce Sterling e Mirjam Struppek hanno scelto gli artisti in base all’aderenza al tema e al valore estetico dell’opera.

Dichiarazione della giuria

Quale è il ruolo dell’arte, in questo momento di transizione sociale verso la città del futuro? In quest’ottica gli artisti hanno interpretato il tema Open Your City, sviscerando le parole chiave. La short-list della giuria riflette l’interpretazione del riapparire artistico del paesaggio urbano moderno come sistema, dove l’elemento solido è sostituito dal messaggio, dalle informazioni e dai database, una città reale ma smaterializzata.

Capacities: Real Time Complex – Connected Cities dell’artista inglese Stanza dedica la sua installazione alla complessità della vita in determinato ambiente. Ogni ambiente è sottoposto a cambiamenti continui che sono monitorati in tempo reale. I cambiamenti portano continua tensione e stressano il concetto di linearità ed evidenziano le emergenze che compaiono. In questo caso l’organismo è la città e non il singolo cittadino ma l’intero complesso urbano, tracciandone il profilo come sistema multiforme. L’installazione è lo specchio in real-time di ciò che si modifica, raccogliendo grosse quantità di dati trasformati esteticamente in una copia della città ma fatta di cavi, luci e sensori che esprimono il passaggio degli elementi ambientali raccolti in forma numerica. L’attenzione insistente è osservare i dati ambientali raccogliendo la temperatura, la luce, la pressione atmosferica, il rumore, e il suono della città fuori dal museo. Raccogliere elementi numerici che riguardano l’ambiente è diventata un’arte e l’arte e’ diventata un insieme di dati piuttosto che un insieme di molecole.

http://www.stanza.co.uk/capacities/index.html

 

 

Stanza exhibits city wide data installation Verenigd Koninkrijk, Capacities. Update_4. Gent.

September 24th, 2012

Welkom op de website van de New Technological Art Award 2012, een internationale kunstwedstrijd van de Stichting Liedts-Meesen die deel uitmaakt van onze biënnale Update. Kom kijken naar het werk van de genomineerden van 22 september tot en met 18 november 2012.

Stanza, Verenigd Koninkrijk, Capacities

Locaties:
Zebrastraat – Zebrastraat 32/001 – 9000 Gent – Belgium – www.zebrastraat.be

New Technological Art Award 2012, een internationale kunstwedstrijd van de Stichting Liedts-Meesen In 2012 organiseert de Stichting Liedts-Meesen Update_4 in het kader van het project Zebrastraat en in navolging van de eerste drie Update-biënnales.

In Update_4 wordt de filosofie van de vorige edities behouden maar leggen we nieuwe accenten. In het verleden gingen de tentoonstellingen gepaard met de New Technological Art Award Liedts-Meesen die meer en meer op de belangstelling van de kunstenaars en het publiek kon rekenen. Onze focus ligt nu op de presentatie van deelnemers van de wedstrijd NTAA en bestaat uit:

-een grotere bijdrage van nieuwe technologieën in de kunst
-een verhoging van het aantal genomineerden van 10 naar 20
-een presentatie van één naar drie locaties in België : de Zebrastraat in Gent, La Cambre en iMAL in Brussel

Uit de meer dan 300 inzendingen waarvan 20 kunstwerken geselecteerd werden, vallen een aantal typerende thema’s te traceren. Ondanks het feit dat onze dagelijkse perceptie in een grote mate gedomineerd wordt door virtuele werelden en onder invloed staat van de eigentijdse technologie, kunnen verschillende werken onder het landschappelijk genre gecategoriseerd worden. Opvallend is evenwel de verwerking van diverse parameters die het kunstwerk via een technische transfer veranderlijk en de beleving ervan multisensorisch maakt. Mapping betekent in deze context niet zozeer een cartografische variant, maar includeert eveneens het flaneren, cruisen of dwalen. In een gegeven geografie vertaalt zich dit vaak in een (mechanische) choreografie waarin parameters als licht en geluid expressief gemanipuleerd worden. De luciditeit in een aantal werken kent een tegengewicht in de reflectie over eindigheid, dood en in een enkel geval opent dit zich cynisch en hyperbolisch tot het contemporaine euthanasiedebat. Items als identiteit en communicatie vormen een belangrijk inhoudelijk substraat waarin gegevens als sociale netwerken, privacy, hacking, spam verwerkt worden. De interactiviteit bij vele inzendingen doet een beroep op een actieve toeschouwer die zich vaak geconfronteerd ziet met keuzemogelijkheden of beslissingen die men dient te nemen.

Stanza artwork Capacities