Networked Cities By Stanza. Sensity project.

February 6, 2009 by stanza Leave a reply »
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Copyright Image by Stanza

Networked Cities By Stanza. Sensity project.

Copyright Image by Stanza

The ‘environment’ in these projects is created from a wireless multi nodal multi sensor network that is in place. The network emits live data via a proxy server and the online xml data gateway represent a live communication flow of the city space. This impression and this part of the work is what I term asset gathering and in this case they are constantly gathered into an online system ready for interpretation.

The online interfacing of live real time sensors networks allows a communication with environment, with real space in the present. Control mechanisms of ownership and rights access are opened up my making the data available in the public domain. These real time impressions can be modulated from online interfaces to physical sculptural interpretations.

The data is remade real again as physical objects interpret the virtualized readouts. The analogue is made digital and the digital can be formed into a variety of output devices. The data can be represented as online interfaces like I have made (Sensity , House, both online), or by triggering the technology in the physical world, ie sensors, Leds, displays, robots etc. Sensity can trigger buildings relating to whole cities, or vice versa. The flow of the data can be set to affect the behaviour of the output environment.
The data environment that is created is a mapped on top of the space, a virtual data map or the real world.

Other artists are also allowed access to this “back end city, real data city and they can make their own “Sensities”. In this way the data is open sourced. From any Sensity network numerous artistic interventions can take place. In fact the whole city can be represented, and all artists can make multiple work from this “The Emergent City”.  A city of sculptures re-presenting  real time space.

Page 66 of “Responsive Environments”, Lucy Bullivan. On talking about Usman Haque “he awaits the environment that is simply intelligent”. 1

 

Sensor on Google Maps 2006

stanza datacity

Networked Cities By Stanza. Sensity project. 2004 – 2010

Within Sensity there is now a loop from the real to the virtual and back to the real.  This notion of playing or manipulating with a malleable form (data) is made possible as each stream, each node, each sensor, or even the entire network can be communicated with using this xml online gateway.
We have seen rich shift in relational and responsive interactive works and the move away from gallery as a venue for art to the use of architecture and public domain space in the last twenty years….stanza

In an age of global warming, so many artists are still using the architectural space as a coloured light bulb. As we burn more fossil fuels the light are flashing on and off. Sensity be made more physical on output to represent of the growth of the city as an experience in the real world away from the screen. A city representation of the fabric of city space end the emerging patterns caused by these data flows. An art city can be made where the data powers the wind turbines, the data changing the solar panels that change the lights. Loops of real time data change the meaning all the while changing the  input and output  which is (e)merging into a new space.  Also  see my new works Tree, Sonicity and Capacities. REF.1. “Responsive Environments:  Architecture, Art And Design.”Lucy Bullivan. V & A Publications. 2006.

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