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- new electronic music + online mixers.
- soundtoys and generative music.
- full length video releases.
- performance with and videos projectors.

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Jukebox: A streaming audio juke box with 30 mins worth of sounds from the last two cds. "Control" and "Searches For Naked Forms"
Mix it up. 2000. Six online 8 track mixing desks that allow real time mixing of audio of the internet
Discography , stanza discography cd releases
Tracks: The State track listing from 1987. with mp3 to follow in the future
Posters: posters from the state design series.
Videos: Info on "artitextures", "return to order", "conundrum" and more.
Soundtoys: Experimental interactive audio visual pieces.
generative music , part of the amorphoscape series-
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A multimedia performance of the soundcities and central city project is now available and the new cd is finished.
A performance includes an urban generative mix experience based on soundcities and the central city projects as well as Amorphoscpapes ambient paintings and images.
Review
From the very beginning stanza throws you into the land full of pricisely constucted sounds creating gloomy atmospheres aimed to provoke listener's vision about urbanistic landscapes. "This is a futuristic description of the big cities and I really wouldn't like to live there." Mechanical pulsations in form of heavy drum beats weaved with dense everchanging eerie electro manipulations being frequently injured by metal scratches, altogether build up aforementioned subltle atmospheres. The music is constantly changing and no vocals are used here although sometimes they are replaced by voice samples which fit the whole musical obscurity just fine. All of the sounds blend together creating a pulsating labyrinth of sounds from which sometimes voices cry out. The stereoscopic and placement of various instrument voices change and move sporadically to create a changing texture that is the base of this definitely experimental approach creating a unique enviroment which becomes more and more defined through subsequent listenings.
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