Control Inside The Panopticon by British artist Stanza. Installation and series of Painting made with robots by Stanza.

Robot by stanza. v

Robotica - IV: Control Inside The Panopticon

Steve Tanza, Stanza

Exhibition By Stanza 2006 - 2008

A world premier of Stanza’s “Robotica: Control inside the panopticon” at The Victoria And Albert Museum, London. A playful robot installation - with performative and interactive aspects - that questions ideas of surveillance and tracking in popular culture using, robots, CCTV and sensor technologies.

Stanza  Robotica: Control inside the panopticon
About

Twelve robots - each named after prison inmate numbers – roam freely on a canvas on the floor of the Gallery. These robotic prisoners are sent out across the canvas with small tasks to complete. This robotic “wandering” is captured over the evening onto the canvas. They create their own painting in their own little prison.


The idea of the Panopticon originated with the English utilitarian philosopher Jeremy Bentham as a prison design that would allow an observer to monitor all the prisoners at all times, without any prisoner being aware of whether he was being monitored or not.
Like people, robots have common behaviours and can be programmed accordingly i.e. robots can follow a path (path following mode), the can avoid obstacles (avoidance mode) and they can operate in wander mode. They all try to avoid one another - depending on their proximity to one another - while searching the space. In doing so they demonstrate social behaviour.


In moving through the gallery people create a ‘memory space’- a reference to a past created by the traces and paths left behind. The patterns we make, the forces we weave, reveal different ways of moving through the space. These patterns disclose new ways of seeing the world. All the robots are recorded via CCTV and each is made to wear CCTV which is shown on a monitor which also records the event. Police “tape” keeps the robots inside their controlled space.


The robots mimic and trace the patterns people make - but based on algorithms. The robots are tracked - everything is watched and recorded - and unlike people their movements can be networked into retrievable data structures that it can be re-imagined and sourced for information.
The digital patterns of the robots are re-made as analogue patterns. The robot path is in effect replaced with a series of 'brushes' - and it is these that are wandering around the canvas. A series of actions are applied to the movement of the digital brush across the rectangular canvas to create these robotic generative paintings. This artwork investigates the relationship between the analogue and the digital aesthetic.

Installation


The robots wander over the canvas to make the image.  The suggested canvas size 2.5 by 5m - and therefore a reasonable floor space is needed. All the robots will see the edges of the canvas and turn around automatically) i.e. they are roped off and will not go wandering off on their own! The set up is easy.

There was also a CCTV set up; with wireless cameras on each robots so they could keep an eye on one another and we could watch them on the TV.

Paintings.

I now have a series of fifteen very large canvases (4 by 3 metres approx) made by the robots. They are available all for sale and for exhibition.

Stanza art with robots. A world premier of Stanza’s “Robotica: Control inside the panopticon” at The Victoria And Albert Museum, London. Exhibition

The Victoria And Albert Museum, London 2008

Stanza Robot art

Portrait Of St Paul. 100 by 80 cm C print signed Stanza. 2008

Robots Artwork By Stanza

“Robotica: Control inside the panopticon” at The Victoroa And Albert Museum.

TechnologyGroup of fully programmed self built robots wander around, programmed to avoid one another and to try to escape..

Film the robots in action.

A playful robot installation
A playful robot installation
A playful robot installation A playful robot installation
A playful robot installation
A playful robot installation A playful robot installation

Stanza , Painting ,

Exhibitions

Le Bains Numerique 4. in Paris June 2009

The Victoria And Albert Museum, London. 2009

 

Nine very large robot paintings are now available for further exhibition.